Circularity

“Circularity” relates to a needed systemic overhaul in the way that we produce and dispose of materials. Instead of making an item to be used only once or twice and then tossed in the garbage—to sit in a trash dump for eternity—the idea of circularity encourages us to develop more sustainable approaches to the things we manufacture. If we can eliminate the linear cycle of production (creation to landfill) and transform it into a circular one predicated on reuse, recycling, repurposing, and regeneration, then we can eventually stem the profligate rubbish streams we generate and transform to a zero-waste economy.

The works in this section exemplify the concepts embedded in circularity, their makers creating innovative art out of objects they have removed from the waste stream—political posters, discarded bottles caps, used Nike shoes, single-use plastic bags, scraps of wood, shipping envelopes, avocadoes, and even FEMA tarps.

This section is a part of the exhibition INTO THE TIME HORIZON.

Interspecies Relationships

This section showcases works that invite us to reflect on our interdependence on a multitude of animate and inanimate matter, including galaxies, insects, cephalopods, beavers, minerals, plant life, and forests. Posthuman philosophers, such as Rosi Braidotti, have been warning for decades about the perils of privileging human thought over other life forms. These theorists argue that the superimposition of reason, humanism, and the methodologies they have spawned has created the crises we struggle to overcome today, and that we have lost the capacity and ability to control their outcomes (AI, fossil fuel production, consumption, excess, waste, commerce, warfare, etc.). Instead, posthumanists propose the advancement of biodiversity, circularity, degrowth, resilience, nature, regeneration, inclusivity, and mutual coexistence. This necessarily requires displacing anthropocentrism as the ultimate paradigm against which all other concepts are weighed.

This section is a part of the exhibition INTO THE TIME HORIZON.

Deep Time: Sea Dragons of Nevada

Long before humans walked the Earth, Nevada was submerged beneath the waters of an ancient sea. Explore this underwater realm and meet the giant sea creatures—also known as ichthyosaurs—that called it home. These marine reptiles lived 250 million years ago and this exhibition, Deep Time: Sea Dragons of Nevada, debuts many of Nevada’s spectacular, but never-before-seen fossils.

Dive into Nevada’s prehistoric past through the display of original fossils, including a 33-foot specimen. Hear stories of Nevada’s early and present-day paleontologists and fossil hunters, including John C. Merriam, Annie Alexander, Charles Camp, and Martin Sander. And learn how Nevada’s extinct underwater animals connect us to a larger global community of scientific discovery.

Through a unique blend of paleontology, art, history, and design, this groundbreaking exhibition explores the rise and fall of these ancient sea creatures, revealing how an understanding of the prehistoric past and evolutionary change over time may in fact help us to anticipate our own future.

Highlights of the exhibition include: recently discovered fossils from the newest ichthyosaur species, Cymbospondylus youngorum, excavated in the Augusta Mountains of Nevada; fossils, photographs and field journal pages from the 1905 Saurian expedition to Nevada’s Humboldt Range; fossils excavated from the quarry known today as Berlin-Ichthyosaur State Historic Park; the story of fossil hunter Mary Anning, the first woman to discover an ichthyosaur fossil in Great Britain in 1811; striking examples of paleoart, revealing how artists and scientists have long worked together to imagine the world’s prehistoric marine creatures; and one of the nation’s largest collections of vintage prehistoric animal toys amassed by Jack Arata after visiting the ichthyosaur fossils in Berlin, Nevada as a young boy in the 1950s.

Accompanying the exhibition is a new children’s book celebrating women in science by honoring the achievements of Annie Alexander. Annie Alexander’s Amazing Adventure: An American Fossil Expedition in Nevada is written by Ann M. Wolfe with illustrations by Nevada-based artist Kate O’Hara. Through brilliant and colorful illustrations, readers learn about the plants and animals of the desert environment, ichthyosaur fossil discoveries and excavation, and extinction and climate science.

This exhibition is co-curated by Ann M. Wolfe, the Museum’s Andrea and John C. Deane Family Chief Curator and Associate Director, and lead paleontologist Martin Sander, Professor of Vertebrate Paleontology at the University of Bonn, Germany. The exhibition is designed by Nik Hafermaas of Berlin, Germany.

Lead Sponsors
Anonymous
Margaret and Charles Burback
Barbara and Tad Danz
Nevada Division of Museums and History
Reno Orthopedic Center
Elizabeth and Henry Thumann
Wayne L. Prim Foundation

Major Sponsors
The Bretzlaff Foundation
Kathryn A. Hall and Laurel Trust Company
Maureen Mullarkey and Steve Miller
Linda and Alvaro Pascotto
Friends of Nevada Museum of Art

Sponsors
Carole Kilgore Anderson
Betsy Burgess and Tim Bailey
The Deborah and T.J. Day Foundation
Estelle J. Kelsey Foundation
Jackie and Steve Kane
Debra Marko and Bill Franklin
Yvonne L. Murphy, PhD
Nevada Arts Council | National Endowment for the Arts
Sandy Raffealli | Porsche Reno
Reno-Sparks Convention & Visitors Authority
Robert Z. Hawkins Foundation
Whittier Trust
Tom and Bonda Young

Supporting Sponsors
Gail and Robert Aldrich
Kathie Bartlett
Chica Charitable Gift Fund
John Cunha
Tammy and Michael Dermody
Dickson Realty | Nancy and Harvey Fennell
Nancy and Alan Maiss
Nevada Mining Association
Viki Matica and Doug Brewer
Charlotte and Dick McConnell
The Thelma and Thomas Hart Foundation
Victoria Zoellner

Promotional Support
Dragon Lights Reno

Education Partners
Bureau of Land Management
PBS Reno
Terry Lee Wells Nevada Discovery Museum

Sagebrush and Solitude: Maynard Dixon in Nevada

Sagebrush and Solitude: Maynard Dixon in Nevada is the first comprehensive exhibition and book to document the early wanderings and extended visits of the accomplished painter Maynard Dixon to the state of Nevada, Lake Tahoe, and the Eastern Sierra. From 1901 to 1939, Dixon made several trips from his San Francisco home to paint and sketch the striking landscapes of the Great Basin and Sierra Nevada. He also wrote numerous poems during his time in the American West. From Dixon’s first Nevada sketching trip on horseback with fellow artist Edward Borein in 1901, to his month-long commission documenting the construction of the Boulder Dam (now known as the Hoover Dam) in Las Vegas in 1934, Dixon captured the beauty of Nevada’s open spaces as well as its developing landscape. Among Dixon’s favorite painting subjects were old homesteads, wild horses, and stands of cottonwood trees, all of which figure prominently into over 100 paintings that will be included in this historic exhibition.

This exhibition is curated by Ann M. Wolfe, Andrea and John C. Deane Family Chief Curator and Associate Director, with scholarly contributions from Donald J. Hagerty, an independent scholar and author of six books on Dixon, including Desert Dreams: The Art and Life of Maynard Dixon. John Ott, professor of art history at James Madison University will contribute an essay on representations of labor and race in Dixon’s Boulder Dam paintings. Ann Keniston, professor of English with a specialty in American Poetry at the University of Nevada, Reno, will write on Dixon’s poems within the context of Modern poetry.

The exhibition is accompanied by a 288-page book published by Rizzoli Electa in New York and is designed by award-winning creative director, Brad Bartlett.

Major Sponsors

Victor and Victoria Atkins
The Bretzlaff Foundation
Carol Franc Buck Foundation
Gabelli Foundation | Mario Gabelli
Sandy Raffealli | Bill Pearce Motors
Phil and Jennifer Satre
Larry and Cathy Spector

Additional Support

Answerwest Inc.
Christie’s
David Dee Fine Arts
D.D. and Paul Felton
Hobson/Lucas Family Foundation
Nevada Humanities and the National Endowment for the Humanities
Charles Redd Center for Western Studies at BYU

Media Sponsor

PBS Reno

Ghost Army: The Combat Con Artists of World War II

Ghost Army: The Combat Con Artists of World War II relates the unique story of more than 1,100 men who deceived, sketched, and painted across Europe to manipulate Hitler’s armies during World War II.

Activated on January 20, 1944, the 23rd Headquarters Special Troops, known as the “Ghost Army,” was the first mobile, multimedia, tactical deception unit in US Army history. Consisting of an authorized strength of 82 officers and 1,023 men under the command of Army veteran Colonel Harry L. Reeder, this unique and top-secret unit was capable of simulating two whole divisions—approximately 30,000 men—and used visual, sonic, and radio deception to fool German forces during World War II’s final year.

The unit consisted of a carefully selected group of artists, engineers, professional soldiers, and draftees, including famed artists such as fashion designer Bill Blass, painter Ellsworth Kelly, and photographer Art Kane. The unit waged war with inflatable tanks and vehicles, fake radio traffic, sound effects, and even phony generals, using imagination and illusion to trick the enemy while saving thousands of lives along the way. Armed with nothing heavier than .50 caliber machine guns, the 23^rd took part in 22 large-scale deceptions in Europe from Normandy to the Rhine River, the bulk of the unit arriving in England in May 1944, shortly before D-Day. The 23rd, along with the 3133rd Signal Service Company in Italy, helped liberate Europe from the grip of Nazi tyranny.

Produced by the National World War II Museum in New Orleans, this exhibition brings together archival photography, historical artifacts, uniforms, sketches, and life-sized recreations of inflatable military equipment used during combat.

Ghost Army: The Combat Con Artists of World War II is exclusively sponsored by the E. L. Wiegand Foundation.

While the exhibition is on view the Museum will proudly offer free admission to active military members, their families, and veterans thanks to generous support from the E. L. Wiegand Foundation.

Ghost Army education and programming sponsors:

Carole Anderson
The Bretzlaff Foundation
The Thelma B. and Thomas P. Hart Foundation
The Jackie and Steve Kane Family Trust
McDonald Carano
The Private Bank by Nevada State Bank
Whittier Trust Investment & Wealth Management

Guillermo Bert: The Journey

Guillermo Bert makes artworks that explore the endurance of immigrants who have left their home countries behind. Rooted in his personal story, his primary focus has been the experiences of people and families who enter the United States along the U.S. – Mexico border. His artworks draw metaphorical relationships between the journeys of migrants, harsh and empty desert landscapes, and the commodification and objectification of American values. This mid-career survey includes artworks in a variety of traditional and contemporary media that are drawn from the entirety of Bert’s career, as well as new works produced exclusively for this exhibition.

In his multi-media and conceptually layered works, Bert addresses the ways in which colonization and capitalistic systems contribute to cultural displacement and the loss of Indigenous identities, traditions, and religions. In series such as Encoded Textiles and Border Zone, Bert keeps old traditions alive through new technology, enticing the viewer to actively participate in his art while simultaneously transporting them into the realities of others. Through his different series, he gives voice to people who have been marginalized, silenced, and overlooked.

Bert was born in 1959, raised in Santiago, Chile, and left his home country in the early 1980s before immigrating to Los Angeles in 1981 in search of a more open and inclusive society. Bert worked as an Art Director at the Los Angeles Times and taught art at the Art Center School of Design in Pasadena, California, before dedicating his time exclusively to his own art and design.

The exhibition will be accompanied by a major book published by the Nevada Museum of Art. The book will include an interview between Guest Curator Vivian Zavataro and artist Guillermo Bert. Additional scholarly essays by Alma Ruiz, an independent curator and Senior Fellow at the Center for Business and Management of the Arts, Claremont Graduate University, and former senior curator at The Museum of Contemporary Art, Los Angeles; Tressa Berman, Ph.D., an anthropologist, curator, and writer who lives and works in California and New Mexico; Ximena Keogh Serrano is a writer and transdisciplinary scholar based in Portland, Oregon.

A companion exhibition featuring Guillermo Bert’s work will be on view at The John and Geraldine Lilley Museum of Art from September 5, 2023 to January 27, 2024.

Major Sponsor

National Endowment for the Arts

Sponsors

Barbara and Tad Danz
Kathryn A. Hall and Laurel Trust

Additional Support

Andres Drobny

Land Art: Expanding the Atlas

It is generally agreed that the art historical movement known as Land Art—associated with marking, sculpting, and engaging with the Earth itself—was born in the late 1960s and early 70s as an outgrowth of Conceptual and Minimalist art. While Land Art has global roots, it is most frequently associated with the monumental desert works made in the American West by artists such as Michael Heizer, Walter De Maria, and Robert Smithson.

Land Art is continually changing. Increasingly, contemporary artists and practitioners seek to disrupt conventional definitions of the genre by critiquing, re-contextualizing, performing, and engaging in environmental and social dialogue about art of the land. These creative practices traverse conventional boundaries of art, geography, science, environmentalism and activism, while breathing new life—and needed perspective—into Land Art.

Nevada is home to numerous iconic Land Art interventions, and the Nevada Museum of Art has a long history of commissioning new artworks, publishing books, organizing public programs, and collecting artworks and archives related to this field. Drawn primarily from the permanent art and archive collections of the Nevada Museum of Art, this exhibition combines work by prominent and lesser-known artists whose works interrogate the definition of Land Art and question the established canon. While much of the world remains enchanted by the monumental land-based desert works that emerged in the American West in the late 1960s and 70s, there is equal interest among practitioners seeking to create, critique, contextualize, perform, and engage in environmental and social dialogue about art of the land.

Artists featured include Vito Acconci, Lita Albuquerque, Edgar Arceneaux, Milton Becerra, Marilyn Bridges, Stig Brøgger, Jackie Brookner, Beverly Buchanan, Judy Chicago, Christo and Jeanne-Claude, Agnes Denes, Elmgreen & Dragset Chris Drury, Marcos Ramíerz Erre, Justin Favela, Ana Teresa Fernández, Regina José Galindo, Helen Mayer and Newton Harrison, Michael Heizer, Nancy Holt, Maya Lin, Metabolic Studio, Daniel McCormick and Mary O’Brien, Cannupa Hanska Luger, Ana Mendieta, Mary Miss, Dennis Oppenheim, Trevor Paglen, Postcommodity, Cai Guo-Qiang, Reko Rennie, Ugo Rondinone, Cauleen Smith, Michelle Stuart, David Taylor, Oscar Tuazon, Andrea Zittel, and Raheleh Zomorrodinia

Janna Ireland on the Architectural Legacy of Paul Revere Williams in Nevada

Janna Ireland on the Architectural Legacy of Paul Revere Williams in Nevada is on view in New York at AIA New York Center for Architecture from July 13, 2023 – October 31, 2023.

This exhibition features the contemporary photography of Janna Ireland, who explores the important contributions of architect Paul R. Williams (1894-1980) in Nevada. Williams was the first licensed African American architect to work in the western region of the United States, designing buildings in the 1920s through the 1970s. His work in Nevada spans from the 1930s through the 1970s. The exhibition will open at the Nevada Museum of Art in Reno, and will then travel to the Nevada State Museum Las Vegas from December 3rd, 2022 through May 29, 2023.

Paul Revere Williams’ architectural contributions collectively helped to redefine the built environment of the region. Some of his most iconic structures are in Southern California, and include the Music Corporation of America headquarters, and the renovation of the Beverly Hills Hotel; he was also deeply involved in the design of the master plan for the LAX Airport in association with William L. Pereira and Associates. Williams’ unique architectural creations earned him the name “Architect of the Stars,” as he also designed the homes of twentieth-century entertainers, some of which include Frank Sinatra and Cary Grant.

Williams’ architectural body of work in Nevada includes residential homes that were designed to enrich the lives of all community members, commercial properties, and religious institutions. His most notable buildings include the La Concha Motel (now part of the Neon Museum) in Las Vegas, and the First Church of Christ, Scientist (now known as the Lear Theater) in Reno.

Williams was first introduced to northern Nevada in the 1930s by Luella Garvey, for whom he designed a house in Reno in 1934. That commission was followed two years later by his design of the Ranch House at Rancho San Rafael Park. Other residential and lodging properties in northern Nevada designed by Williams include the El Reno Apartments in Reno, the Lovelock Inn and Tharpe/Brinkerhoff House in Lovelock, and E.L. Cord’s Circle L Ranch House in the Fish Lake Valley.

In southern Nevada, Williams also designed the Guardian Angel Cathedral, the Royal Nevada Casino (no longer extant) and Berkley Square—Southern Nevada’s first African American suburban community.

Janna Ireland approaches Williams’ architecture from a fine arts perspective. She produces photographs that highlight the intimate interior and exterior details of his buildings, bringing her own poetic response to Williams’ work. Ireland recently completed a photographic project on Williams’ work in Southern California, which includes architectural styles ranging from Spanish Mediterranean to Modern.

This exhibition is organized by the Nevada Museum of Art and curated by Carmen Beals. We thank spokesperson Claytee White, scholarly contributors Alicia Barber and Brooke Hodge, and community partners: Our Story, Inc., KME Architects, LGA Architects, and the National Pan-Hellenic Council, Las Vegas.

Visit the exhibition research website

Major Sponsors

The Jacquie Foundation
Kim Sinatra + Family

Sponsors

Blanchard, Krasner & French | Angela and Mark Krasner
Nancy and Harvey Fennell | Dickson Realty
Kristi Overgaard, ONIYA
The Private Bank by Nevada State Bank
Sandy Raffealli | Bill Pearce Motors
The Phil and Jennifer Satre Family Fund at the Community Foundation of Western Nevada

Supporting Sponsors

Kathie Bartlett
Tammy and Michael Dermody
Drs. Shonda and Julian Hardman
The Thelma B. and Thomas P. Hart Foundation
NV Energy Foundation
Karyn and Lance Tendler

Additional Support

Friends of the Nevada State Museum, Las Vegas
Nevada Humanities
NNRMLS
Katie O’Neill and Chris Gonya

Media Sponsor

PBS Reno

The World Stage: Contemporary Art from the Collections of Jordan D. Schnitzer and His Family Foundation

Featuring 90 contemporary artworks by 35 renowned American artists, The World Stage showcases some of today’s global influencers alongside prominent names from the 20th-century art canon. The exhibition title is borrowed from the name of a series of paintings by Kehinde Wiley, an artist best known for his presidential portrait of Barack Obama which hangs in the National Portrait Gallery. The selected works comprise a variety of media, from painting to installation to mixed media, with a special focus on prints made in a wide range of techniques.

Drawn from the collection of renowned art collector and philanthropist Jordan D. Schnitzer, The World Stage includes works by some of the most major American artists from the past 50 years, including Helen Frankenthaler, Robert Rauschenberg, Andy Warhol, Wendy Red Star, Mickalene Thomas, and Kehinde Wiley. Though unified by the country in which they live, these artists possess widely diverse backgrounds, worldviews, and approaches to artmaking.

Inform the Future with Your Comments
The Black Lives Matter movement will inform the future of our global society. We have extended The World Stage through February 7, 2021 to allow important space for expanded community reflection and dialogue during this critical moment. We value your thoughts and invite you to share them with us and the entire Nevada community.

To post your thoughts to the exhibition’s gallery screen:
Go to nevadaart.org/inform-the-future and complete the form provided.

Comments will be added to a continuous scroll within 72 hours from receipt and will remain as part of the exhibition. Comments containing profanity or vulgarity will not be included.

About the Jordan Schnitzer Family Foundation
At age 14, Jordan D. Schnitzer bought his first work of art from his mother’s Portland, Oregon contemporary art gallery, evolving into a lifelong avocation as collector. He began collecting contemporary prints and multiples in earnest in 1988. Today, the collection exceeds 14,000 works and includes many of today’s most important contemporary artists. It has grown to be one of the country’s largest private print collections. He generously lends work from his collection to qualified institutions. The Foundation has organized over 110 exhibitions and has had art exhibited at over 150 museums. Mr. Schnitzer is also President of Harsch Investment Properties, a privately owned real estate investment company based in Portland, Oregon, owning and managing office, multi-tenant industrial, multi-family and retail properties in six western states. For more information about the Jordan Schnitzer Family Foundation, please visit jordanschnitzer.org.

Sponsors

Julie and Michael Teel | Raley’s
Volunteers in Art of the Nevada Museum of Art

Supporting Sponsor

Kathie Bartlett

Additional Support

Quentin Abramo
Rory Higgins and Colby Williams
Dana and Greg Lee
Heidi Allyn Loeb
Katie O’Neill and Chris Gonya

Promotional Partner

Reno-Tahoe International Airport

The Art of Jean LaMarr

The Art of Jean LaMarr is on view in Santa Fe, New Mexico at the Museum of Contemporary Native Arts through January 7, 2024.

Jean LaMarr (born 1945) makes art that addresses issues such as cultural stereotypes, representations of women and Native American people, and the traditions of her ancestors. Although she has worked primarily as a printmaker, she is also known for her paintings, assemblages, videos, and installation work. LaMarr is of Paiute/Pit River ancestry with family ties to Northern Nevada and northern California, and was born in Susanville, California, in 1945. Her artistic development was critically influenced by the time she spent at UC Berkeley from 1973-76 where she earned her BFA and was involved with activist politics. LaMarr describes herself as a community artist-activist. She lives on the Susanville Indian Rancheria in northeastern California, where she continues to operate the Native American Graphic Workshop.

Sponsors

Carole K. Anderson
Nevada Arts Council
Kristi Overgaard
Sandy Raffealli | Bill Pearce Motors
The Phil and Jennifer Satre Family Fund at the Community Foundation of Western Nevada

Supporting Sponsors

Kathie Bartlett

Additional Support

In memory of Bernadette Kaye, sharing her culture.
Nevada Humanities and the National Endowment for the Humanities