Tadáskía and Ana Cláudia Almeida: A Joyner/Giuffrida Visiting Artists Program
This collaborative wall project by Tadáskía (b. 1993) and Ana Cláudia Almeida (b. 1993) explores the spiritual dimensions of visual forms through hybrid approaches to painting and drawing. Tadáskía’s graphic tangles of colors and lines incite us to accompany the winding forms as if following a path of a traveler who mediates a familiar earthly world and a far-off mystical space. Through prints, paintings and drawings, Almeida creates movements on fabric and paper that record reflections on religion, nature and sexuality, and the constant mutability that underlies life and artistic making. Both artists emphasize change, in their material processes—through the transference of gestures across different supports—and in the transitive, ever-shifting images. Though abstract, their work sparks associations with otherworldly landscapes and trance-like visions. As a sort of ritual enactment of their processes coming together, Tadáskía and Almeida render a panoramic tableau sprawling along the wall in the Museum’s Theater Gallery.
Tadáskía and Ana Cláudia Almeida both live and work in Rio de Janeiro, Brazil. Tadáskía’s first solo exhibition in a museum in the United States is currently on view at MoMA, New York until October 14, 2024. Her work was featured in the 35th São Paulo Biennial, choreographies of the impossible (2023), with a large-scale installation featuring her wall drawings and sculpture. Ana Cláudia Almeida is currently an MFA candidate in painting and printmaking at Yale University. She has had solo exhibitions at the galleries Fortes D’Aloia & Gabriel and Quadra in Brazil. This is her first project in a US museum.
SPONSORS
Pamela Joyner and Fred Giuffrida
Opening Talk: Artist April Bey in Dialogue with Carmen Beals
Symphony No. 3: Altered Landscape – A Discussion
Jimmy López Bellido, a world-renowned, Finnish-trained, Peruvian-American composer, was invited by Laura Jackson, Music Director of the Reno Philharmonic, to work with curators at the Nevada Museum of Art to select photographs from the Museum’s Carol Franc Buck Altered Landscape Photography Collection to inspire his brand-new composition, Symphony No. 3: Altered Landscape.
The symphony explores the dynamic interconnectedness of humans and the Earth and envisions a hypothetical future where people exist in harmony with the natural environment.
Join us for a discussion with Jimmy López Bellido, Laura Jackson and Director of the Center for Art + Environment, William L. Fox. For tickets to the world premiere symphony, please visit renophil.com
Summer of Soul Film Screening
In his acclaimed debut as a filmmaker, Ahmir “Questlove” Thompson presents a powerful and transporting documentary—part music film, part historical record created around an epic event that celebrated Black history, culture and fashion. Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park). The footage was largely forgotten–until now. Summer of Soul shines a light on the importance of history to our spiritual well-being and stands as a testament to the healing power of music during times of unrest, both past and present. The feature includes concert performances by Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Mahalia Jackson, B.B. King, The 5th Dimension and more.
Summer of Soul is presented in partnership with Northern Nevada Black Cultural Awareness Society.
Run time: 1 hour 57 minutes
Free. Advanced registration is required.
The Longest Fight – Film Screening and Panel Discussion
In 1906, Goldfield was Nevada’s largest and most prosperous city and the epicenter of America’s last great gold rush. On September 3rd of that year, Baltimore’s Joe Gans, the first African American champion, defended his lightweight crown against Oscar “Battling” Nelson, a white brawler, in a fight that had no scheduled duration. It was a fight to the finish.
In this film, documentary filmmaker Ted Faye introduces the story by exploring Goldfield at its boom, the impact, and importance of the fight, and the way in which residents have memorialized its history.
Film is approximately 30 minutes in length. A panel discussion will follow the screening and includes Kenny Dalton, President, Our Story, Inc., Dr. Elisabeth Raymond, Professor of History, Emerita, UNR, Mike Martino, Nevada Boxing Consultant, and filmmaker, Ted Faye.
Produced in association with Our Story, Inc. with support from Nevada Humanities.
Picasso In Clay
Vivienne Hall, Owner and Director of Squire Fine Arts in Los Gatos, California discusses the exhibition Picasso in Clay and shares insight on the shaping of the Robert Felton and Lindsay Wallis Collection.
This program will be hosted in person as well as streamed live on Zoom.
Lessons from Picasso’s Ceramics
Dr. Brett M. Van Hoesen, Associate Professor and Area Head of Art History at the University of Nevada, Reno, explores three key lessons in conjunction with Picasso’s ceramics: the importance of playfulness, the necessity for experimentation, and the culture of collaboration.
Program support and free program registration for students from the Core Humanities Program at the University of Nevada, Reno.
A Community Forum: Reckoning with Nevada’s Boarding School Past
NOTE: Pre-sale in-person tickets have sold out. Please join us virtually.
CLICK TO JOIN VIRTUALY:
https://us06web.zoom.us/j/81956495207?pwd=RFBEYmFhNWE0M3lUV3RZaTdnMUlsQT09
PASSCODE: 975563
Beginning in 1890, thousands of American Indian children were sent to Stewart Indian Boarding School in Carson City, Nevada as part of the U.S. government’s policy of forced assimilation. This community forum provides an opportunity to learn about and discuss this history and the traumatic legacy that remains. Participants include Stacey Montooth, Executive Director of the Nevada Indian Commission; Dr. Debra Harry, Associate Professor in the Department of Gender, Race, and Identity, University of Nevada, Reno; and the debut of Jean LaMarr’s performance, They Danced, They Sang, Until the Matron Came.
This program is a hybrid presentation.
Co-presented by Stewart Indian School Cultural Center & Museum, Carson City, Nevada
For questions about registration, please email claire.munoz@nevadaart.org
I Heard the Song of My Grandmother: Art and Indigenous Feminisms
Join us for a gathering with artists, writers, and curators to consider how activist art continues to subvert stereotypes and advance rights for Indigenous women. Participants include Dr. Anya Montiel, curator at the Smithsonian’s National Museum of the American Indian; Dr. Nancy Marie Mithlo, Professor, Department of Gender Studies at UCLA, Los Angeles; Kristen Dorsey, doctoral student, Department of Gender Studies at UCLA; and Las Vegas-based artist Fawn Douglas. Film screening of Purple Flower Girl, produced and directed by Tsanavi Spoonhunter.
This event is presented in-person and on Zoom.
Paid registration includes live in-person access to the symposium, hosted on the fourth floor Nightingale Sky Room. Paid registration also includes morning coffee/tea and lunch.
You may also access the symposium for free on Zoom. Click here to register in advance for virtual access.
*Scholarships available. Click here to apply for a scholarship, or contact claire.munoz@nevadaart.org for more information.
Book Launch: “On the Trail of the Jackalope” with author Michael Branch
Join us for a book launch with celebrated author, Michael Branch for the release of his new book, On the Trail of the Jackalope. Discover the never-before-told story of the horned rabbit—the myths, the hoaxes, the very real scientific breakthrough it inspired—and how it became a cultural touchstone of the American West.
Doors open at 5 pm for book sales and hosted beer. Book signing to follow.
Michael Branch is University Foundation Professor of English at UNR. His nine books include three works of humorous creative nonfiction inspired by the Great Basin Desert: Raising Wild (2016), Rants from the Hill (2017), and How to Cuss in Western (2018). Mike has published more than 300 essays and reviews, including pieces recognized as Notable Essays in The Best American Essays, The Best Creative Nonfiction, The Best American Science and Nature Writing, and the humor collection The Best American Non-required Reading. He is the recipient of Ellen Meloy Desert Writers Award, the Nevada Writers Hall of Fame Silver Pen Award, the Western Literature Association Frederick Manfred Award for Creative Writing, and the Montana Prize for Humor.