The Café will be closed for remodel from Aug 12 through Sept 5, 2024. | Due to construction, Museum parking may be limited at the time of your visit. Look for additional parking in free or metered spaces along nearby streets.

Color Theory and Mixing Pigments in Watercolor

Translucence is at the heart of watercolor painting. Learn to chart and mix your colors to keep the beautiful luminosity of the medium. This class includes color charting both wet and dry, mixing triads for unusual color, and learning to combine warm and cool hues. An excellent class for both the beginner and advanced student.

Tuesday, October 15
5 pm
– 9 pm

Instructor: Iva Neveux
Ages: 15 and Up / All Levels

Supply List:

•    Your personal watercolor pallet
•    If you are a beginner getting ready to purchase your first watercolor paints: https://www.amazon.com/Winsor-Newton-Cotman-Sketchers-14-Pieces/dp/B00004THXI/ref=sr_1_1?s=arts-crafts&ie=UTF8&qid=1541442397&sr=1-1&keywords=windsor+newton+travel+watercolors
•    2 sheets 11 x 15 140 lb cold pressed watercolor paper (paper can be purchased from the instructor during class for $2 a sheet)
•    Roll of paper towels
•    Drawing pencil (mechanical pencil works the best)
•    Kneaded eraser
•    2 Plastic water containers
•    1/4 or 1/2 inch flat brush (Silver/Black Velvet brush recommended – available at Nevada Fine Arts, dickblick.com, cheapjoes.com)

Painting in Oil Brushwork Intensive

Beginning and advanced students will enjoy this five-day technique-based class. Daily exercises will help build the students abilities to make sensitive and effective brush strokes from glazes to impasto (textural). Will include an exploration of how different brush shapes affect paint application and use of a pallet knife to apply and carve paint to create texture and depth.

Monday – Friday, November 18 – 22
9 am – noon

Ages: Adult (15+) / All Levels
Instructor: David McCamant

SUPPLY LIST:

 
SUPPORTS
Inexpensive canvas boards or panels. Students who wish to do the homework will need to double the number of panels.
1 – 11″ x 14” (OPTIONAL – add one more for homework*)
2 – 8″ x 10″ (OPTIONAL – add two more for homework*)
3 – 6″ x 8″ (OPTIONAL – add three more for homework*)
 
OIL PAINT – 1 – 37 ml tube of oil paint in the following colors:  
 
YELLOW: Hansa Yellow Medium (Gamblin), Windsor Yellow (Windsor Newton) or Cadmium Yellow Light (Grumbacher)
RED: Cadmium Red Medium (Gamblin), Cadmium Red (Windsor Newton) or Cadmium Berium Red (Grumbacher)
BLUE: Ultramarine Blue (Gamblin), French Ultramarine Blue (Windsor Newton) or French Ultramarine Blue (Grumbacher)
BLACK: Ivory Black
MAGENTA (OPTIONAL*): Quinacridone Red (Gamblin), Permanent Rose (Windsor Newton) or Quinacridone Red (Grumbacher)
CYAN (OPTIONAL*): Phthalo Blue (Gamblin) or Thalo Blue (Grumbacher)
WHITE: Titanium White, Two (2), 37 ml tubes or One (1), 150 ml tube
 
You may bring whatever paint you have as long as they are the correct hues or colors. An inexpensive option is Windsor Newton Winton student colors. ‘Artist Grade’ paints will produce better results in color mixing.
 
PAINTING MEDIUM: Neo MeGilp Medium 2oz or Larger
 
BRUSHES – Recommend Connoisseur brand #2106 pure synthetic oil paint brushes or any artist quality manufacturer VERY IMPORTANT. 1 each #6 and #8 Long-Handled Filberts
 
PALETTE – Gray Matters, palette paper or equivalent
 
CLEANING JAR – Silicoil cleaning jar or other small jar with lid
 
CLEANING SOLUTION – 1 – 8oz bottle of artist grade Walnut or Safflower oil
 
BRUSH CLEANER – 2.5 OZ small cake of The Masters Brush Cleaner
 
PAPER TOWELS – 1 roll of BLUE shop paper towels (OPTIONAL – add one more for homework*)
 
WET PANEL CARRIER – inexpensive cookie sheet covered in aluminum foil or aluminum roasting pan for wet painting transport
 
Approximate Materials Cost $100. With OPTIONAL ITEMS $130.

Beginning Landscapes with Oils

Beginning students will enjoy this six-week technique-based class focused on creating dramatic landscapes. Working from photo reference, students will explore the use of sensitive and effective strokes to manipulate paint with a brush and pallet knife. Students will explore how to establish depth to create captivating landscape paintings.

Tuesdays, September 10 – October 15
6 pm – 9 pm

Ages: Adult (15+)
Instructor: David McCamant

SUPPLY LIST: 
Inexpensive canvas boards or panels. Students who wish to do the homework will need to double the number of panels.
1 – 11″ x 14” (OPTIONAL – add one more for homework*)
2 – 8″ x 10″ (OPTIONAL – add two more for homework*)
3 – 6″ x 8″ (OPTIONAL – add three more for homework*)
 
OIL PAINT – 1 – 37 ml tube of oil paint in the following colors:  
 
YELLOW: Hansa Yellow Medium (Gamblin), Windsor Yellow (Windsor Newton) or Cadmium Yellow Light (Grumbacher)
RED: Cadmium Red Medium (Gamblin), Cadmium Red (Windsor Newton) or Cadmium Berium Red (Grumbacher)
BLUE: Ultramarine Blue (Gamblin), French Ultramarine Blue (Windsor Newton) or French Ultramarine Blue (Grumbacher)
BLACK: Ivory Black
MAGENTA (OPTIONAL*): Quinacridone Red (Gamblin), Permanent Rose (Windsor Newton) or Quinacridone Red (Grumbacher)
CYAN (OPTIONAL*): Phthalo Blue (Gamblin) or Thalo Blue (Grumbacher)
WHITE: Titanium White, Two (2), 37 ml tubes or One (1), 150 ml tube
 
You may bring whatever paint you have as long as they are the correct hues or colors. An inexpensive option is Windsor Newton Winton student colors. ‘Artist Grade’ paints will produce better results in color mixing.
 
PAINTING MEDIUM: Neo MeGilp Medium 2oz or Larger
 
BRUSHES – Recommend Connoisseur brand #2106 pure synthetic oil paint brushes or any artist quality manufacturer VERY IMPORTANT. 1 each #6 and #8 Long-Handled Filberts
 
PALETTE – Gray Matters, palette paper or equivalent
 
CLEANING JAR – Silicoil cleaning jar or other small jar with lid
 
CLEANING SOLUTION – 1 – 8oz bottle of artist grade Walnut or Safflower oil
 
BRUSH CLEANER – 2.5 OZ small cake of The Masters Brush Cleaner
 
PAPER TOWELS – 1 roll of BLUE shop paper towels (OPTIONAL – add one more for homework*)
 
WET PANEL CARRIER – inexpensive cookie sheet covered in aluminum foil or aluminum roasting pan for wet painting transport
 
Approximate Materials Cost $100. With OPTIONAL ITEMS $130.

Watercolor: Open Studio

This intermediate level open studio class is designed for returning students and experienced students. Students should have a personal work in progress to work towards completing in this fun and social series. Each class will begin with a short lesson addressing a challenge or technique followed by open studio time to continue work on personal projects. Instructor will be on hand to assist with challenges, offer critique, instruction, and encouragement. 

Thursdays, December 5 – 19
1 – 4:30 pm

Instructor: Carroll Charlet
Ages: Adult (15+) / Intermediate and Advanced Watercolor Students

Supply list: Please bring any supplies you own for your specific project. A recommended basic supply list is as follows:

  • Watercolors: Cobalt Blue, Phthalo Blue, Lemon Yellow, Alizarin Crimson, Magenta, Sap Green, New Gamboge, Yellow Ochre. (Cotman or Van Gogh is fine; Windsor Newton is excellent)
  • Your personal watercolor pallet
  • 2 HB Pencils
  • Watercolor Brushes: #6 & #10 Round (Silver/Black brand is recommended and available at Nevada Fine Arts)
  • Pad of Arches 140# cold press watercolor paper
  • Roll of paper towels
  • 2 Plastic water containers

Painting Techniques: The Still Life in Oil

Employing the techniques and style of the Dutch Masters, both beginning and more advanced oil painting students will enjoy learning how to set up a still life, develop a concept and composition and will learn how to take a still life painting from start to finish.  Students will explore oil painting techniques, including brushwork, value and color. Referencing the work of Vermeer and  Rembrandt students will work to develop skilled painting of textures and surfaces while exploring use of light, shape and form.

Friday- Sunday, November 15 – 17
9 am – 4 pm

Instructor: Dee Kirkham
Ages: Adults (15+) / All levels

Supply list: 

Suggested place for purchasing supplies:
Nevada Art Supply, Reno, NV
ASWExpress – http:www.aswexpress.com – I have found them to have the best prices & reliable for quick turnaround of shipping.

Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)

Naples Yellow Light

Yellow Ochre

Cadmium Yellow Light or Lemon

Cadmium Yellow Deep

Cadmium Orange

Cadmium Red Light

Alizarin Crimson

Ultramarine Blue

Burnt Umber

Raw Umber (prefer Windsor Newton)

Ivory Black

Transparent Oxide Red

Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)

Brushes

Rosemary Brushes or Robert Simmons Signet Bristle Brushes or Silver Grand Prix

Sizes:  3, 4, 6, 8, 10, 12

Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2”

Preferred Medium

Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.

Gamblin Liquin

Maroger Flemish Medium – can be ordered at Old Masters Maroger

http://www.oldmastersmaroger.com – 505-758-2382.  I will have several tubes for sale.

Preferred Surfaces – Smooth

Ampersand – The Artist Panel for oil & Acrylics, Smooth Finish, or canvas

Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)

These boards provide for a smooth surface giving the effect of the Old Dutch Masters style

Canvas Boards, if used should be Belgian Linen Portrait quality.  I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama. 

Bring any sizes you prefer – Suggested sizes 89×12, 11×14, 12×16

Palette

Plexiglas or glass palette is the best for seeing your color and cleaning.  The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.

Palette Knife 

Any size will be fine, short blade and a long pliable blade preferred.

Easel

Please bring you own easel setup or easels are available.   If you prefer to sit when you paint, a table top easel will be fine. 

Suggestions:

Artwork Essentials – http://www.artworkessentials.com  – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories.  I will be using one at the workshop.

Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).

If you prefer not to buy extra supplies from this list, please just bring what you have.  I know art can get expensive.  I will be happy to share what I have with you and this will give an opportunity to try it before you buy.

Still Life Setups

You will be painting your own personal still life setup.  If you have any special vases, flowers, fruit, vegetable or items that you would like to possible put in your painting, please feel free to bring them.  I will be bringing a lot of items for you to choose from also. Also bring a small & large box (flatl) and a dark colored cloth (2 yards minimum) preferably dark green, black or a neutral color.

Girls’ Night Out: Georgia O’Keeffe Inspired Watercolor Postcards

Bring your friends and spend a fun and relaxed evening with us making art and drinking wine! This month we will be creating Georgia O’Keeffe inspired watercolor postcards. Bring old friends, meet new ones and have a great night over a glass (or two!) of wine and a fun project designed for all skill levels. A fun and affordable girls night out!

Saturday, September 21
6 – 8:30 pm

Instructor: Reena Spansail
Ages: Adult (21+) / All Levels

Supply List: All materials will be supplied.

Painting Techniques: The Still Life in Oil

CANCELED due to instructor emergency, please see class schedule for additional painting classes.  

Employing the techniques and style of the Dutch Masters, both beginning and more advanced oil painting students will enjoy learning how to set up a still life, develop a concept and composition and will learn how to take a still life painting from start to finish.  Students will explore oil painting techniques, including brushwork, value and color. Referencing the work of Vermeer and  Rembrandt students will work to develop skilled painting of textures and surfaces while exploring use of light, shape and form.

Saturday – Sunday, October 19 -20
9 am – 4 pm

Instructor: Dee Kirkham
Ages: Adults (15+) / All levels

Supply list: 

Suggested place for purchasing supplies:
Nevada Art Supply, Reno, NV
ASWExpress – http:www.aswexpress.com – I have found them to have the best prices & reliable for quick turnaround of shipping.

Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)

Naples Yellow Light

Yellow Ochre

Cadmium Yellow Light or Lemon

Cadmium Yellow Deep

Cadmium Orange

Cadmium Red Light

Alizarin Crimson

Ultramarine Blue

Burnt Umber

Raw Umber (prefer Windsor Newton)

Ivory Black

Transparent Oxide Red

Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)

Brushes

Rosemary Brushes or Robert Simmons Signet Bristle Brushes or Silver Grand Prix

Sizes:  3, 4, 6, 8, 10, 12

Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2”

Preferred Medium

Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.

Gamblin Liquin

Maroger Flemish Medium – can be ordered at Old Masters Maroger

http://www.oldmastersmaroger.com – 505-758-2382.  I will have several tubes for sale.

Preferred Surfaces – Smooth

Ampersand – The Artist Panel for oil & Acrylics, Smooth Finish, or canvas

Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)

These boards provide for a smooth surface giving the effect of the Old Dutch Masters style

Canvas Boards, if used should be Belgian Linen Portrait quality.  I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama. 

Bring any sizes you prefer – Suggested sizes 89×12, 11×14, 12×16

Palette

Plexiglas or glass palette is the best for seeing your color and cleaning.  The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.

Palette Knife 

Any size will be fine, short blade and a long pliable blade preferred.

Easel

Please bring you own easel setup or easels are available.   If you prefer to sit when you paint, a table top easel will be fine. 

Suggestions:

Artwork Essentials – http://www.artworkessentials.com  – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories.  I will be using one at the workshop.

Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).

If you prefer not to buy extra supplies from this list, please just bring what you have.  I know art can get expensive.  I will be happy to share what I have with you and this will give an opportunity to try it before you buy.

Still Life Setups

You will be painting your own personal still life setup.  If you have any special vases, flowers, fruit, vegetable or items that you would like to possible put in your painting, please feel free to bring them.  I will be bringing a lot of items for you to choose from also. Also bring a small & large box (flatl) and a dark colored cloth (2 yards minimum) preferably dark green, black or a neutral color.

Bristlecones as Portraits in Watercolor and Pencil

Learn to capture the personality of the extraordinary Bristlecone Pine in watercolor and pencil.  This class may be taken as an extension of the class  ‘Introduction to Bristlecones’ for those who want to continue working with this unique subject (students from previous classes are welcomed!) or as a stand alone class.  A botanical portrait invites the student to explore both the impressionistic and illustrative possibilities of a specimen.  

Thursday, November 7
10 am – 3 pm

Instructor: Carroll Charlet
Ages: Adult (15+) / Some watercolor experience is suggested.

Required Supplies:

    Basic Watercolor Kit and pallet
    Watercolor Paper, 140 lb cold press (suggest Arches or       Strathmore 400 series, student choice on size)
    No 8 or No 6 pointed watercolor brush
    Mechanical pencil .3 or .5
    Sketch Pad
    Drawing pencil and kneaded eraser
    Two water containers

For questions regarding supplies, please contact carrollcharlet@sbcglobal.net  
*Materials available at Nevada Fine Arts (mention registration for 10% discount)

Introduction to Bristlecone Pine in Ink and Watercolor

Bristlecones are a wonderful subject for both realistic and impressionistic watercolors. Using paint and ink, students will learn to capture the essence of these wonders of the natural world.  Some watercolor experience is recommended. 

Friday, October 18
10 am – 3 pm

Instructor: Carroll Charlet
Ages: Adult (15+) / All Levels

Required Supplies: 

  • Basic Watercolor Kit and pallet
  • Watercolor Paper, 140 lb cold press (suggest Arches or Strathmore 400 series, student choice on size) 
  • No 8 or No 6 pointed watercolor brush
  • Micron black ink pens 005 or 01
  • Sketch Pad
  • Drawing pencil and kneaded eraser
  • Two water containers

For questions regarding supplies, please contact carrollcharlet@sbcglobal.net   
*Materials available at Nevada Fine Arts (mention registration for 10% discount)

Watercolor Techniques: Lake Tahoe in Watercolor

This one-day workshop will present lessons and demos on water, granite, mountains and sky that are the hallmarks of Lake Tahoe.  Learn to layer watercolor washes to capture the deeply saturated colors of Tahoe.

Friday, October 4
10 am – 3 pm

Instructor: Carroll Charlet
Ages: Adult (15+) All levels

Supply list: 

  • Watercolor pallet including your favorite blues (email instructor for suggestions)
  • Watercolor brushes including a 1” OR ½” flat and a #6 OR # 8 round brushes 
  • Graphite or mechanical pencil
  • Rubber eraser
  • 2 plastic water containers
  • Tablet of Arches cold press 140 lb watercolor paper (9”x12” or larger) *
  • * Single sheets of watercolor paper may be purchased during class ($2.00)
  • Roll of paper towels
  • For questions about the supply, please email Carroll Charlet at carrollcharlet@sbcglobal.net