Summer Intensive: Mountainscapes and Cloudscapes in Watercolor
This three-day workshop will present lessons and demos on mountains, clouds, and sky’s that are the hallmarks of Northern Nevada. Learn to capture the essence of the amazing mountains and cloud formations that are unique our region. Students will learn the skills to show the beauty of nature this area has to offer.
Friday- Sunday, June 21- 23
9 am – 2 pm
Instructor: Reena Spansail
Ages: Adult (15+) / All Levels
Supply List:
-Watercolor pallet including your favorite blues
-Watercolor brushes including a 1” OR ½” flat and a #6 OR # 8 round brushes
-Graphite or mechanical pencil
-Rubber eraser
-2 plastic water containers
-Tablet of Arches cold press 140 lb watercolor paper (9”x12” or larger)
-Roll of paper towels
-Sack Lunch
Summer Drawing in Ink Wash
Join us for summer drawings in ink wash inspired by poetry. Find parallels between the black ink of the printed word, and the rich images contained inside. In this workshop we will experiment with drawing in ink wash while finding inspiration through reading poetry. No prior experience necessary, and all skill-levels welcome.
Saturday and Sunday, August 10 and 11
9 am – 2 pm
Instructor: Austin Pratt
Ages: Adult (15+) / All Levels
Supply List:
Recommended Materials:
– 2oz+ India Ink (any Higgins or Speedball brands etc)
– A set of various assortment small paint brushes
– A Sumi-Ink brush
-Some water-color paper to use (a range is best):
– Water-color paper pads (10″ x 14″ or 9″ x 12″) (recommended 2 pads of 12 pages each)
– Newsprint pad – 9″ x 12″ or larger
– Pencil set
– Feel free to bring any old or crusty paint brushes as well! Great for experimental approaches. Even large house painting brushes!
– Sack Lunch
Building and Stretching Your Own Canvases
A Painting is a Picture That is Also A Built Object: Painted Surfaces, Supports, and Still Lives. In this three day workshop, we will be discussing the physical construction of painting supports, including how to build and stretch canvasses to make your own paintings. Considering the object of a painting much like a sculpture, we can become more aware of the formal qualities of the painting support–such as scale, size ratios, choice of fabric or panel, surface quality, and more. Finally, we will have some fun experimenting as we make some paintings on our new supports. No prior experience necessary, and all skill-levels welcome.
Monday – Wednesday, July 8 – 10
9:00 am – 2:00 pm
Instructor: Austin Pratt
Ages: Adult (15+) / All Levels
Supply List:
-Sack Lunch
-Canvas making materials will be provided. Please bring painting supplies for whatever medium you work in (oil or acrylic). Some painting materials can be provided upon request if you are new to painting or wish to experiment with new materials.
Painting Techniques: The Still Life in Oil
Imploying the techniques and style of the Dutch Masters, both beginning and more advanced oil painting students will enjoy learning how to set up a still life, develop a concept and composition and will learn how to take a still life painting from start to finish. Students will explore oil painting techniques, including brushwork, value and color. Referencing the work of Vermeer and Rembrandt students will work to develop skilled painting of textures and surfaces while exploring use of light, shape and form.
Saturday- Monday, September 21 – 23
9 am – 4 pm
Instructor: Dee Kirkham
Ages: Adults (15+) / All levels
Supply list:
Suggested place for purchasing supplies:
Nevada Art Supply, Reno, NV
ASWExpress – http:www.aswexpress.com – I have found them to have the best prices & reliable for quick turnaround of shipping.
Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)
Naples Yellow Light
Yellow Ochre
Cadmium Yellow Light or Lemon
Cadmium Yellow Deep
Cadmium Orange
Cadmium Red Light
Alizarin Crimson
Ultramarine Blue
Burnt Umber
Raw Umber (prefer Windsor Newton)
Ivory Black
Transparent Oxide Red
Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)
Brushes
Rosemary Brushes or Robert Simmons Signet Bristle Brushes or Silver Grand Prix
Sizes: 3, 4, 6, 8, 10, 12
Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2”
Preferred Medium
Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.
Gamblin Liquin
Maroger Flemish Medium – can be ordered at Old Masters Maroger
http://www.oldmastersmaroger.com – 505-758-2382. I will have several tubes for sale.
Preferred Surfaces – Smooth
Ampersand – The Artist Panel for oil & Acrylics, Smooth Finish, or canvas
Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)
These boards provide for a smooth surface giving the effect of the Old Dutch Masters style
Canvas Boards, if used should be Belgian Linen Portrait quality. I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama.
Bring any sizes you prefer – Suggested sizes 89×12, 11×14, 12×16
Palette
Plexiglas or glass palette is the best for seeing your color and cleaning. The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.
Palette Knife
Any size will be fine, short blade and a long pliable blade preferred.
Easel
Please bring you own easel setup or easels are available. If you prefer to sit when you paint, a table top easel will be fine.
Suggestions:
Artwork Essentials – http://www.artworkessentials.com – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories. I will be using one at the workshop.
Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).
If you prefer not to buy extra supplies from this list, please just bring what you have. I know art can get expensive. I will be happy to share what I have with you and this will give an opportunity to try it before you buy.
Still Life Setups
You will be painting your own personal still life setup. If you have any special vases, flowers, fruit, vegetable or items that you would like to possible put in your painting, please feel free to bring them. I will be bringing a lot of items for you to choose from also. Also bring a small & large box (flatl) and a dark colored cloth (2 yards minimum) preferably dark green, black or a neutral color.
Painting Intensive: Landscapes from Photographs in Oil or Acrylic
Working in oil paint or acrylic, students will explore value divisions in landscapes and the basics of brush sketching and massing. With these skills students will learn how to relate color to value and will gain a better understanding of identifying spatial cues in a landscape. Using foundational skills students can then explore under-painting, glazing and dry-brushing techniques.
Saturday and Sunday, July 20 and 21
9 am – 2 pm
Instructor: Daniel Helzer
Ages: Adult (15+) / All Levels
Supply List:
Paint Colors:
Cobalt Blue
Ultramarine Blue
Thalo Blue
Dioxazine Purple
Cadmium Red Light
Cadmium Yellow or Hansa Yellow
Burnt Sienna
Titanium White
Canvas Board 16×12 or smaller
Palette Knife
Palette
Paper Towels
Selection of bristle brushes (small, med and large)
Stylized Birds in Acrylic
Using bold colors, modern patterns and engaging compositions, students will use acrylic paint combined with colored pencil to create stylized portraits of birds. In this three-day intensive, student will work with basic drawing skills, contouring lines, loose gridding and blocking techniques to layout the portraits on wooden panels. Final pieces will be completed in acrylic. Each student can expect to complete two 18” x 24” wooden panels in this workshop.
All materials are provided with registration. Students may work from a selection of provided photos or are welcome to bring their own photos for reference.
Monday- Wednesday July 29 -31
9 am – 12:30 pm
Instructor:Emily Reid
Ages:Adults (15+) All levels
Watercolor for Beginners: Landscapes
Learn about composition in painting and develop your watercolor skills while painting landscapes. This class is ideas for beginners, or those wishing to refresh their skills.
Instructor: Iva Neveux
Ages: Adult (15+) / All Levels
Monday – Wednesday, July 15 – 17
1:30 – 4:30 pm
Supply List:
- Your personal watercolor pallet including Cobalt blue or Ultramarine blue, Raw and Burnt sienna, Sap or Viridian green
- If you are a beginner getting ready to purchase your first watercolor paints we suggest: https://www.amazon.com/Winsor-Newton-Cotman-Sketchers-14-Pieces/dp/B00004THXI/ref=sr_1_1?s=arts-crafts&ie=UTF8&qid=1541442397&sr=1-1&keywords=windsor+newton+travel+watercolors
- Several sheets of 140 lb cold pressed watercolor paper (recommended professional grade such as Arches, Daler Rowney Langton Prestige, Kilimanjaro)
- Frisket or Masking fluid
- Roll of paper towels
- Drawing pencil (mechanical pencil works the best)
- Kneaded eraser
- 2 Plastic water containers
- At least 3 brushes: Rounds # 4 & 8, Rigger brush (recommended Silver/Black Velvet brushes)
- Supplies can be found at Nevada Fine Arts (limited supply), dickblick.com, cheapjoes.com
Color Studies in Watercolor
Translucence is at the heart of watercolor painting. Learn to chart and mix your colors to keep the beautiful luminosity of the medium. This class includes color charting both wet and dry, mixing triads for unusual color, and learning to combine warm and cool hues. An excellent class for both the beginner and advanced student.
Sunday, July 7
10 am – 2 pm
Instructor: Iva Neveux
Ages: 15 and Up / All Levels
Supply List:
- Your personal watercolor pallet. If you are a beginner please contact Iva* for pallet suggestions.
- 2 sheets 11 x 15 140 lb cold pressed watercolor paper (Paper can be purchased from the instructor during class for $2 a sheet as we will use 2 or 3 sheets).
- Roll of paper towels
- Drawing pencil
- Kneaded eraser
- 2 Plastic water containers
- #6 or #8 round brush (Silver/Black Velvet brush recommended – available at Nevada Fine Arts)
*Iva Neveux <snowasana@gmail.com>
All About Flowers in Oil
Explore still life oil painting in this workshop that looks specifically at painting a floral still life. Imploring the techniques and style of the Dutch Masters, both beginning, and more advanced oil painting students will enjoy learning how to set up a floral still life, will consider their composition and will learn how to take a floral still life painting from start to finish. Students will explore oil painting techniques, including brushwork, value and color. Students will work to develop their oil painting skills while exploring texture, light, shape and form.
Thursday and Friday, July 11 and 12
9 am – 2 pm
Ages: Adult (15+) / All levels
Instructor: Dee Kirkham
Supply List/Instructor Notes:
Suggested place for purchasing oil paints: Nevada Fine Arts Store, Reno, NV
Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)
- Naples Yellow Light
- Yellow Ochre
- Cadmium Yellow Light or Lemon
- Cadmium Yellow Deep
- Cadmium Orange
- Cadmium Red Light
- Alizarin Crimson
- Ultramarine Blue
- Burnt Umber
- Raw Umber (prefer Windsor Newton)
- Ivory Black
- Transparent Oxide Red
- Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)
Brushes
- Rosemary Brushes (can order only online www.rosemaryandco.com – Ivory Filberts Size 4, 6, 8 & 10 to start and/or Ivory Short Flats, size 4, 6, 8 & 10 to start
- Robert Simmons (www.blick.com) Signet Bristle Brushes or Silver Grand Prix
- Sizes: 3, 4, 6, 8, 10, 12
- Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2” – Rosemary & Co has a goat hair one that is perfect
Preferred Medium
- Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.
- Gamblin Liquin
- Maroger Flemish Medium – can be ordered from Andre Lucero, www.andrelucero.com
- I will have this for you to purchase at the class. Please let him know that I referred you.
Preferred Surfaces – Smooth
- Ampersand Museum or value Series, The Artist Panel for oil & acrylics, smooth finish or canvas texture, 1/8” flat panel. Sizes preferred for class 8×10, 9×12, 11×14 or 12×16. Only need 2 canvases for class.Can order these at https://ampersandart.com or Nevada Fine Arts store (if they don’t have them, they can order them for you) or can be purchased at www.dickblick.com
- Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)
- These boards provide for a smooth surface giving the effect of the Old Dutch Masters style
- Canvas Boards, if used should be Belgian Linen Portrait quality. I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama.
- Bring any sizes you prefer – Suggested sizes 9×12, 11×14, 12×16
Palette
- Plexiglas or glass palette is the best for seeing your color and cleaning. The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.
Palette Knife
- Any size will be fine, short blade and a long pliable blade preferred.
Easel
- Please bring you own easel setup if you prefer, otherwise easels are provided. If you prefer to sit when you paint, a table top easel will be fine.
- Artwork Essentials – http://www.artworkessentials.com – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories. I will be using one at the workshop.
Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).
Still Life Setups
- You will be painting your own personal still life setup. If you have any special vases, flowers, or items that you would like to possible put in your painting, please feel free to bring them. I will be bringing a lot of items for you to choose from also.
- Also bring a small & large box and a dark colored cloth ( 2 yards minimum) preferably dark green, black or a neutral color.
NOTE: If you prefer not to buy extra supplies from this list, please just bring what you have. I know art can get expensive. I will be happy to share what I have with you and this will give an opportunity to try it before you buy.
Getting Started with Oils: An Introduction to Painting Techniques and Tools
CANCELED: Please see our listings for upcoming painting classes.
This course is intended to introduce students to traditional painting techniques using oils. Students will gain a good foundational working knowledge of how to setup subjects, blocking, brushwork, mixing color and the use of Neo Megilp medium. The “ala prima” (in one sitting) also called “direct painting” technique will be taught in making still life paintings. Each lesson begins with the concepts to be covered, demonstration of the techniques, hands on experience and ends with suggested homework to be critiqued at the next lesson.
Monday – Friday, May 13 – 17
9 am – noon
Instructor: David McCamant
Ages: Adult (15+) / Beginners welcome
SUPPLY LIST:
REQUIRED MATERIALS
SUPPORTS – Inexpensive canvas boards or panels. Students who wish to do the homework will need to double the number of panels.
1 – 11″ x 14” (OPTIONAL – add one more for homework)
2 – 8″ x 10″ (OPTIONAL – add two more for homework)
3 – 6″ x 8″ (OPTIONAL – add three more for homework)
OIL PAINT – One (1) – 37 ml tube of ARTIST quality oil paint of each color, RED, MAGENTA, YELLOW, BLUE, CYAN, BLACK and WHITE.. The different manufacturers listed below are to enable accurate color matching between brands.
COLOR NAME MANUFACTURERS
RED -Cadmium Red Windsor Newton
-Cadmium Red Medium Gamblin
-Cadmium Berium Red (not deep) Grumbacher
MAGENTA -Permanent Rose Windsor Newton
-Quinacridone Red Gamblin
-Quinacridone Red Grumbacher
YELLOW -Windsor Yellow Windsor Newton
-Hansa Yellow Medium Gamblin
-Cadmium Yellow Light Grumbacher
BLUE -French Ultramarine Blue Windsor Newton
-French Ultramarine Blue Grumbacher
-Ultramarine Blue Gamblin
CYAN -Thalo Blue Grumbacher
-Phthalo Blue Gamblin
BLACK -Ivory Black Windsor Newton
-Ivory Black Gamblin
-Ivory Black Grumbacher
Two (2) – 37 ml tubes or One (1)- 150 ml tube
WHITE -Titanium White Windsor Newton
-Titanium White Gamblin
-Titanium White Grumbacher
PAINTING MEDIUM – Neo MeGilp Medium 2oz or Larger
You may bring whatever oil paint you have as long as they are the correct hues or colors. If you are on a tight budget, you might try Windsor Newton Winton or Grumbacher Academe student oil colors.
PAINTING MEDIUM – Neo MeGilp Medium 2oz or Larger
BRUSHES – Any artist quality long handled bristle brushes will do. Recommend Connoisseur brand #2106 pure synthetic oil paint brushes (VERY IMPORTANT
One (1) each #6 and #8 Long-Handled Filberts (OPTIONAL – add a #4 and #10)
PALETTE – Gray Matters, palette paper or equivalent
CLEANING JAR – Silicoil cleaning jar or other small jar with lid
CLEANING SOLUTION – 1 – 8oz bottle of artist grade Walnut oil
BRUSH CLEANER – 2.5 OZ small cake of The Masters Brush Cleaner
PAPER TOWELS – 1 roll of BLUE shop paper towels (OPTIONAL – add one more for homework)
WET PANEL CARRIER – inexpensive cookie sheet covered in aluminum foil or aluminum roasting pan for wet painting transport