Autumn Leaves in Watercolor
Sunday, October 29 / 10 am – 2 pm
Capture the beauty of autumn leaves. Using the techniques of botanical illustration learn to create pictures and cards in watercolor, pencil and ink. This class is open to all levels.
Instructor: Carroll Charlet
Ages: 15 and Up / All Levels
Required Supplies:
- Basic watercolor set (paint and brush)
- Small round 10-well pallet
- Fine tip waterproof black ink pen (Micron 005 or equal)
- Graphite or mechanical pencil
- Rubber eraser
- 2 plastic water containers
- Tablet of cold press 140 lb watercolor paper*
- Lunch
*Single sheets of watercolor paper may be purchased during class
For questions regarding materials, contact Carroll Charlet at carrollcharlet@sbcglobal.net
Watercolor: Open Studio
Thursdays, October 12 – November 9 / 1 – 4 pm
Beginning and experienced students will enjoy this five-week open studio format watercolor series. Students are invited to bring works in progress or begin new projects in this fun and social series. Each class will begin with a short lesson addressing a challenge or technique followed by open studio time to continue work on personal projects. Instructor will be on hand to assist with challenges, offer critique, instruction and encouragement.
Supply List: Please bring any supplies you own for your specific project. A recommended basic supply list is as follows:
- Watercolors: Cobalt Blue, Phthalo Blue, Lemon Yellow, Alizarin Crimson, Magenta, Sap Green, New Gamboge, Yellow Ochre. (Cotman or Van Gogh is fine; Windsor Newton is excellent)
- Your personal watercolor pallet
- 2 HB Pencils
- Watercolor Brushes: #6 & #10 Round (Silver/Black brand is recommended and available at Nevada Fine Arts)
- Pad of Arches 140# cold press watercolor paper
- Roll of paper towels
- 2 Plastic water containers
Instructor: Carroll Charlet
Ages: Adult (15+) / Some watercolor experience
Watercolor for Beginners
Wednesdays, September 27 – October 25* / 10 am – 2 pm
*NOTE: Class will not meet on October 11
Learn the skills used in creating beautiful paintings using translucent watercolors.Beginners will learn the basics of pallet set up, color mixing and a range of watercolor techniques including washes, dry brush work and “special effects.”
Supply List:
- Watercolors: Cobalt Blue, Phthalo Blue, Lemon Yellow, Alizarin Crimson, Magenta, Sap Green, New Gamboge, Yellow Ochre. (Cotman or Van Gogh is fine; Windsor Newton is excellent)
- Plastic studio pallet with at least 10 paint wells
- 2 HB Pencils
- Watercolor Brushes: #6 & #10 Round (Silver/Black brand is recommended and available at Nevada Fine Arts)
- Pad of Arches 140# cold press watercolor paper. (Single pieces can be purchased from the instructor during class for $2 each). We will use approximately four sheets.
- Roll of paper towels
- 2 Plastic water containers.
- Additional watercolor supplies (paints, brushes, etc) are welcome but not necessary.
Please mail questions to carrollcharlet@sbcglobal.net
Supplies available at Nevada Fine Arts. Mention class registration and save 10%
Instructor: Carroll Charlet
Ages: Adult (15+) / Beginners
Botanical Illustration: Sunflowers
Sunday, September 10 / 10 am – 3 pm
Using the late summer colors of blooming sunflowers, as subject matter, this class will explore the world of botanical illustration. Explore basic drawing, ink and watercolor techniques to capture the beauty of the season. This class welcomes beginners and students from previous botanical workshops.
Instructor: Carroll Charlet
Ages: Adult (15+) / All Levels
Required Supplies:
- Basic watercolor kit
- No 8 or No 6 pointed watercolor brush
- 140 lb tablet of cold press watercolor paper (hot press for more advanced students)
- Micron black ink pens 005 and 01
- Sketch pad, pencil and eraser
For questions regarding supplies, please contact carrollcharlet@sbcglobal.net
*Materials available at Nevada Fine Arts (mention registration for 10% discount)
Watercolor: Tips, Tricks and Techniques
Sunday, August 27 / 10 am – 4 pm
Take that next step with your watercolor painting. In this class you will learn various ways to create texture, move the viewer’s eye through your painting and how to push those values to make your subject pop! Class will work on small sample pieces for each technique, with room for notes and experimentation. Instructor will reference such artists as Carl Purcell, Karen Frey, Charles Reid and John Salminen. Students do not need to be an expert watercolorist for this class but will enjoy learning more about how to create special effects and contrast to make your paintings sparkle.
Instructor: Ronnie Rector
Ages: Adult (15+) / Some watercolor experience
Supply list:
- Watercolor* sketch book, 5×7 or larger. For your samples and notes. I recommend Stillman & Birn’s Beta Series, Arches Field sketchbooks, and Moleskin. Check NV Fine Arts in Reno or online. Or buy a full sheet of Arches 140 lb cold press and cut/tear it into eight 5.5×7.5 pieces.
- Pen and pencil, to sketch with and take notes.
- Watercolor** brushes: A #6 and #10 round, and a 1” flat, will be adequate. I recommend Silver’s Black Velvet brushes as an excellent, not-too-expensive choice.
- Watercolor paints of your choice. “Artist grade” paint, please – colors are stronger and more vivid. My favorite colors are listed at the end of this, if you’re interested.
- Watercolor palette of your choice. I recommend having a few good-sized mixing areas, but bring whatever you’re comfortable working with.
- Water Container
- Small container of salt
- Spray bottle for water
- Sea sponge if you have one. If not, you can watch the demonstrated techniques and see if you like them.
- Paper Towels
- Blow Dryer
*Be sure your sketchbook is made with (at a minimum) 140 lb. watercolor paper, which can hold up to applications of water and paint without shredding like sketch paper.
**Brushes used for acrylics will not provide the results you want to see when working in watercolor.
Watercolor: Tips, Tricks and Techniques
Sunday, June 25 / 10 am – 4 pm
Take that next step with your watercolor painting. In this class you will learn various ways to create texture, move the viewer’s eye through your painting and how to push those values to make your subject pop! Class will work on small sample pieces for each technique, with room for notes and experimentation. Instructor will reference such artists as Carl Purcell, Karen Frey, Charles Reid and John Salminen. Students do not need to be an expert watercolorist for this class but will enjoy learning more about how to create special effects and contrast to make your paintings sparkle.
Instructor: Ronnie Rector
Ages: Adult (15+) / Some watercolor experience
Supply list:
- Watercolor* sketch book, 5×7 or larger. For your samples and notes. I recommend Stillman & Birn’s Beta Series, Arches Field sketchbooks, and Moleskin. Check NV Fine Arts in Reno or online. Or buy a full sheet of Arches 140 lb cold press and cut/tear it into eight 5.5×7.5 pieces.
- Pen and pencil, to sketch with and take notes.
- Watercolor** brushes: A #6 and #10 round, and a 1” flat, will be adequate. I recommend Silver’s Black Velvet brushes as an excellent, not-too-expensive choice.
- Watercolor paints of your choice. “Artist grade” paint, please – colors are stronger and more vivid. My favorite colors are listed at the end of this, if you’re interested.
- Watercolor palette of your choice. I recommend having a few good-sized mixing areas, but bring whatever you’re comfortable working with.
- Water Container
- Small container of salt
- Spray bottle for water
- Sea sponge if you have one. If not, you can watch the demonstrated techniques and see if you like them.
- Paper Towels
- Blow Dryer
*Be sure your sketchbook is made with (at a minimum) 140 lb. watercolor paper, which can hold up to applications of water and paint without shredding like sketch paper.
**Brushes used for acrylics will not provide the results you want to see when working in watercolor.
Instructor Paint Brand/Color Suggestions:
- Ultramarine Blue (M. Graham)
- Burnt Sienna (M. Graham)
- Permanent Alizarin Crimson (Holbein)
- Phthalo Green (M. Graham)
- Cadmium Yellow Orange (Holbein)
- Cobalt (M. Graham)
- Yellow Ochre (Holbein)
- Scarlet Lake (Holbein)
- Azo Yellow (M.Graham)
- Opera (Holbein)
- Quinacridone Gold (Daniel Smith)
- Olive Green (M. Graham)
- Sap Green (Winsor Newton or M. Graham)
Don’t limit yourself to just these, though! Other fun colors include Vertider Blue, Peacock Blue, Prussian Blue, pretty much all of the Quinacridone colors, and Daniel Smith’s Cascade Green.
Summer Intensive: Plein Air Painting in Oil
Monday – Friday, August 14 – 18 / 9 am – noon
Students will enjoy traveling to scenic outdoor locations near downtown Reno while learning how to paint small color sketches or studies (“pochades”) using oils. This class will focus on how to capture light in the landscape quickly while working with oil paint. Hands-on instruction will take students from basic setup to finish a quick outdoor study in plein air. First class will meet in the E.L. Cord Museum School with the remaining classes held offsite at scenic locations. Students should have a good foundation in color mixing and some experience painting with oils.
Instructor: David McCamant
Ages: Adults (15+) / Some experience working in oils
Supply List:
French easel/portable easel or pochade box or equivalent
Portable stool & small umbrella (instructor will demonstrate how to setup your outdoor gear for reference in the field)
(2) 11” x 14”, (4) 8” x 10”, and (6) 6” x 8” inexpensive canvas boards
Choose ONE 37 ml tube of the brand of your choice from the colors below and a larger tube or 2 tubes of white. Recommended brands are Winsor & Newton, Grumbacher or Gamblin.
RED
– Cadmium Red by Winsor & Newton
– Cadmium Red Medium by Gamblin
– Cadmium Berium Red (not deep) by Grumbacher
MAGENTA
– Permanent Rose by Winsor & Newton
– Quinacradone Red by Gamblin
– Quinacradone Red by Grumbacher
YELLOW
– Winsor Yellow by Winsor & Newton
– Hansa Yellow Medium by Gamblin
– Cadmium Yellow Light by Grumbacher
BLUE
– French Ultramarine Blue by Winsor & Newton
-,French Ultramarine Blue by Grumbacher -Ultramarine Blue by Gamblin
CYAN
– Thalo Blue by Grumbacher
– Pthalo Blue by Gamblin
BLACK
– Ivory Black by Winsor & Newton
– Ivory Black by Gamblin
– Ivory Black by Grumbacher
WHITE
(2) 37 ml tubes OR (1)150 ml
– Titanium White by Winsor & Newton
– Titanium White by Gamblin
– Titanium White by Grumbacher
2 oz. bottle or larger of Neo-Megilp oil painting medium (by GAMBLIN)
1 – palette – recommended either tempered glass with edges taped or ground, wood or Plexiglas. Cover wood or Plexiglas with Contact plastic shelf liner.
1 – Silcoil cleaning jar or other small jar with lid
1 – 8 oz. bottle of artist grade walnut oil (not salad type)
1 – 2.5 oz. small cake of Masters brush cleaner
1 each of the following long-handled 2106 CONNOISSEUR pure synthetic brushes (OR any artist quality manufacturer): 2, 4, 6, 8 and 10 Filberts.
4 – Rolls of BLUE shop paper towels
1 – Wet panel carrier – inexpensive cookie sheet covered in foil or aluminum roasting pan (dollar stores are a good resource for this) for wet painting transport.
Painting: Open Studio
Sundays, August 27 – September 17 / 1 – 4 pm
Students will enjoy developing their painting techniques and skills in this observational open studio class. Weekly subject matter will rotate focus between portrait painting, observational painting from nude and clothed models and still-lifes. Each class will begin with brief instruction followed by an open studio format painting class. Students may use acrylic or oil paint. Dry media is also welcome.
Instructor: Daniel Helzer
Ages: Adults (15+) / All Levels
Supply List:
- Color recommendations are as follows: Titanium White, Ultramarine Blue, Cadmium Red Medium or Light, Lemon or Cadmium Yellow, Light Yellow Ochre, Burnt Sienna, Viridian Green, Burnt Sienna
- Selection of brushes
- Pallet
- Palette knife
- Painting Board or Canvas
- Container/jar water and brushes
- Paper towels
- Cheap Plastic Ruler
- Gamsol mineral spirits (if working in Oil)
Summer Intensive: Oil Painting Techniques
Monday – Friday, August 7 – 11 / 9 am – 12 pm
Student new to oil or looking for a quick refresher will enjoy this introductory level course designed to teach basic oil painting techniques. Students will learn the properties of oil paint, application techniques, and color theory while recreating simple still life installations. Each class will focus on different painting techniques which will include a review of brushes and their function, blending techniques, color use and the grayscale and an introduction to textures.
Supply List:
• Oil Paint: Ivory or Mars Black, Titanium White, Cadmium Yellow, Cadmium Red, Pthalo Blue, Yellow Ochre, Raw Umber, Alizerin Crimson (Windsor & Newton or Gumbacher Small Tubes 1.25 oz)
• Synthetic Brushes: Flat and Bright Sizes 2, 4, 8, 10 and 12
• Palette Sheets
• Turpenoid
• Jar for Turpenoid
• Rag, Old T-Shirt, or Blue Mechanic’s Shop Towels
• The Masters Brush Cleaner and Preserver 2.5 oz
• 5 8 x 10” or 9 x 12” Canvases
• 2 8 x 10” Canvas Boards
Instructor: Ashley Follmer
Ages: Adults (15+) / Beginners Welcome!
Watercolor Techniques: Batik Method on Rice Paper
Sunday, July 23/ 10 am – 4 pm
Take your watercolors to the next level with this fun method of using the batik method of applying hot wax to save and build layers of color. Together, we will create a painting on rice paper, which adds an extra element of interest and texture. Instructor will guide students through the batik process, while assisting each student with color mixing, composition and values to create a focal point in their work. A fairly simple drawing will be provided by the instructor for students to use, but students are also free to bring a reference image to draw out on their own. A working knowledge of watercolor painting is preferred; this class is not for absolute beginners to the medium.
Instructor: Ronnie Rector
Ages: Adults (15+) / Some experience
Supply List:
- Black Micron Pen or other waterproof fine-line pen
- Watercolor brushes, flats or rounds or both, your choice. Bring your preference for working in large to small areas of a painting.
- Watercolor paints of your choice
- Watercolor palette of your choice. I recommend having a few good-sized mixing areas, but bring whatever you’re comfortable working with
- Water Container
- Roll of Paper Towel
- Masking Tape
- Lots of newspapers – will need at least 3 dozen sheets per artist, so if you have a pile, please bring them
- Sack lunch or money to place a to-go order at the Museum’s restaurant, Chez Louie