False Friends: Art History and Labor Studies with Dr. Brett M. Van Hoesen
Art History and Labor Studies are often considered false friends, two fields that investigate very different subjects. Yet, there’s a long history of art that represents labor and working conditions. This talk will focus on the intersection of art and labor in painting, photography, and sculpture of the 20th century with a focus on the E. L. Wiegand Collection at the Nevada Museum of Art.
Dr. Brett Van Hoesen is Associate Professor of Art History at the University of Nevada, Reno.
The Art Bite lecture series is supported by Nevada Humanities with additional sponsorship and free admission for students supported by the Core Humanities Program at the University of Nevada, Reno.
Cinematic Storytelling: Dance, Film and Motion
Stories come to life through the art of cinema. Join us for a discussion about the art of filmmaking with Elspeth Summers and James Coleman from Tweaking Reality Studios as they discuss their creative process with collaborator Caitlin McCarty of the local dance company Collateral and Co. Program will include a preview of the short dance film “The Space Above.”
The Art Bite lecture series is supported by Nevada Humanities with additional sponsorship and free admission for students supported by the Core Humanities Program at the University of Nevada, Reno.
Georgia O’Keeffe’s Hibiscus and Plumeria: Abstraction, Nature, Place
Georgia O’Keeffe famously painted the flowers that grew in her gardens, so how did the tropical and exotic hibiscus and plumeria find their way into her work? Join Theresa Papanikolas, Ann M. Barwick Curator of American Art at the Seattle Art Museum, as she traces the genesis and development of O’Keeffe’s floral paintings, follows in the footsteps of her 1939 journey to Hawaii, and reveals how she interpreted nature in modernist terms to reflect her intense—even spiritual—reverence for the American landscape.
Theresa Papanikolas, Ph.D. joined the Seattle Art Museum in 2019 as its Ann M. Barwick Curator of American Art. Prior to that, she was Deputy Director of Art and Programs and Curator of European and American Art at the Honolulu Museum of Art, where she led the reinstallation of its galleries and organized the exhibitions From Whistler to Warhol: Modernism on Paper (2010), Georgia O’Keeffe and Ansel Adams: The Hawai?i Pictures (2013), Art Deco Hawai?i (2014), and Abstract Expressionism: Looking East from the Far West (2017). She was also the curator of the New York Botanical Garden’s 2018 exhibition, Georgia O’Keeffe: Visions of Hawaii. At SAM, she is curator of Georgia O’Keeffe: Abstract Variations, forthcoming in 2020.
Dr. Papanikolas has worked at the Los Angeles County Museum of Art; Contemporary Arts Museum Houston; the Museum of Fine Arts, Houston; and Rice University; holds degrees from USC (BA) and the University of Delaware (MA, Ph.D.); and completed a Fellowship at the Center for Curatorial Leadership (2016).
The Art Bite lecture series is supported by Nevada Humanities with additional sponsorship and free admission for students supported by the Core Humanities Program at the University of Nevada, Reno.
This program will be held in the Wayne L. Prim Theater.
Going Too Far: The Limits of Conservation
A specialist in firearms preservation, Richard Moll, Chief Conservator at the Autry Museum of the American West, will discuss preservation for both museums and the private collector. Presentation will include an overview of the methods, materials, and ethical considerations when preserving historic objects.
The Art of Collecting with a Purpose
Ashley Hlebinsky, Robert W. Woodruff Curator of the Cody Firearms Museum, discusses the evolution of collecting since the 16th century, and examines how private passion impacts public display. Hlebinsky explores how collectors have been perceived throughout the years, and how collectors have had a historic role in the establishment of museums and methods of firearm display over the centuries.
Hollywood and the Wild West
The mythos of the Wild West has long inspired the nation. During the 30s and 40s, America’s appetite for films about the West seemed insatiable. In answer, the big studios created a steady stream of big budget Western films with established stars. Meanwhile, on the back lots of mini studios like Republic and on ranches in the Simi Valley, a sub genre was putting out hundreds of smaller films a year. These were the B Westerns and they would launch the careers of cowboy stars like Hopalong Cassidy, Tim McCoy, Hoot Gibson and The Durango Kid himself, Charles Starrett. This genre of Western film, vastly popular in its time, is nearly forgotten now. Screenwriter, producer and film buff, Tim Kirk, will discuss the careers of Hollywood’s gunslingers and the changing attitudes towards the West.
The Art Bite lecture series is supported by Nevada Humanities with additional sponsorship and free admission for students supported by the Core Humanities Program at the University of Nevada, Reno.
William L. Fox on “Michael Heizer: The Once and Future Monuments”
Michael Heizer is among the greatest, and often least accessible, American artists. As one of the last living figures who launched the Land Art movement, his legacy of works that are literally and metaphorically monumental has an incalculable influence on the world of sculpture and environmental art. But his seclusion in the remote Nevada desert, as well as his notorious obduracy, have resulted in significant gaps in our critical understanding. Michael Heizer: The Once and Future Monuments spans the breadth of Heizer’s career, uniquely combining fieldwork, personal narrative, and biographical research to create the first major assessment in years of this titan of American art.
Join us as Fox discusses Heizer’s work with Alan Rapp, the Editorial Director at Monacelli Press in New York, publisher of Michael Heizer: The Once and Future Monuments. Rapp is an editor, writer, and visual book developer. He earned an MFA in Design Criticism at School of Visual Arts and formerly served as a senior editor at Chronicle Books.
*Doors open at 5:30 pm. Book signing to follow.
D.I.C.E. | REDUX: Keynote with Rick Joy
As part of the 2019 D.I.C.E. Conference, Rick Joy, Principal of Rick Joy Architects, offers the Keynote lecture. This Keynote is included with the DICE Conference ticket price, however, if you are interested in only attending the Keynote, this ticket offers that as an opportunity.
Rick Joy Architects is a 32 person architecture and planning firm established in 1993 in Tucson, Arizona. From the beginning, each of RJA’s works has been exhibited and published extensively and have won numerous awards. Joy received the 2002 American Academy of Arts and Letters Award in Architecture and in 2004 won the prestigious National Design Award from the Smithsonian Institute/Cooper-Hewitt Museum. He periodically serves as a visiting professor at the Harvard Graduate School of Design.
RJA has realized architectural works throughout North America with extensive experience with lifestyle based projects from numerous single family residences to an ultra-lux resort and large scale master-plans. The office has several active residential commissions in New York City, Long Island, Park City, Turks and Caicos. RJA is currently completing the prestigious commission of the new Train Station and Campus Gateway Buildings to Princeton University, a mixxed use development building in Austin and an apartment building in Mexico City.
Coffee and Conversation with Artist Jack Malotte
Jack Malotte makes artworks that celebrate the landscapes of the Great Basin, with a unique focus on contemporary political issues faced by Native people seeking to protect and preserve access to their lands. Join us for informal conversation in the gallery before the exhibition The Art of Jack Malotte closes later this month. Coffee, book signing and short film will be offered in the adjacent Founders’ Room.
NOTE: This is an informal opportunity to connect with the artist Jack Malotte. The book “Jack Malotte” is available for purchase in the Founders’ Room or in the Museum store.
Gallery Walkthrough: Julia Ballantyne-Way on “Edi Rama: WORK”
Edi Rama: WORK, an exhibition of the artist and Prime Minister of Albania, Edi Rama, includes a series of new drawings created on documents and notes Rama creates during meetings and phone calls, as well as ceramic sculptures and a floor-to-ceiling wallpaper that emulates the wallpaper in his office at the Ministry in Tirana. Edi Rama’s drawing practice has developed in close parallel with his career as a politician. Rama views his art as an essential element in a functional society. A clear example is his initiative to paint the facades of decaying communist bloc buildings after being elected Mayor of Tirana in 2000, an undertaking Rama has described as “a political action, with colors.” Join us for a gallery walk through with Julia Ballantyne-Way, Senior Director of Rama’s Berlin gallery carlier | gebauer.
Edi Rama lives and works in Tirana. A former professor of painting at the Academy of Fine Arts and author of several books, his works have been exhibited in numerous solo, two-person, or group exhibitions including at the Venice Biennale (2017); São Paulo Biennial (1994); Haus der Kunst, Munich (2004); the Centre Pompidou, Paris (2010); the Musée D’art contemporain de Montréal (2011); Biennale of Marrakesh, Morocco (2015); The New Museum, New York (2016); and Kunsthalle Rostock (2019). Edi Rama began his political career in Albania as the Minister of Culture in 1998. He was the Mayor of Tirana from 2000-2011. Rama was elected Prime Minister of Albania in September 2013, following a landslide victory in the general elections, and his government has since embarked the path of reforms that aim to bring Albania closer to the European Union. He is currently serving his second term as Prime Minister.
This event is a FREE program, pre-registration required.