Cultural anthropologist Deborah A. Boehm and archaeologist Carolyn L. White from the University Nevada, Reno will discuss their multi-year, cross-disciplinary approach to studying Black Rock City and its inhabitants. Hear stories about the information they collect and analyze to understand the city and community of Burning Man.

Marian Goodell first attended Burning Man in 1995, and in 1997 co-founded Black Rock City, LLC. Marian developed Burning Man’s media policies and built its communications team. Today, as CEO of the nonprofit Burning Man Project, Marian oversees 100 employees and a $40 million operating budget in an effort to extend Burning Man’s culture into the wider world.  Join Marian for an afternoon exploring her favorite Burning Man films, shorts and documentary clips.

Leo Villareal is a pioneer in the use of LEDs and custom computer software and is best known for his light sculptures and architectural, site-specific works. He first attended Burning Man in 1994, which inspired him to begin creating immersive experiences on a larger scale. Join Villareal as he discusses his long association with Burning Man, his San Francisco Bay Lights installation on the San Francisco Bay Bridge, and his recently-awarded commission to illuminate seventeen bridges over the Thames River in London.

Harrod Blank has been making and documenting Art Cars for 35 years.  When he brought his art car “Oh My God!” to Burning Man in 1993 he also began filming on what would become an epic film project about the event 25 years in the making.  Harrod established Art Car Camp in 1994 and over the years transportation at the event has changed immensely. Join Harrod to explore the Art Car legacy on and off the playa, in conversation with Philo Northrup, who co-founded ArtCar Fest with Harrod in 1997.

John Law is an American artist, prankster, and an original member of the Cacophony Society and Suicide Club. Along with Michael Mikel and Larry Harvey, Law co-founded The Burning Man Festival in the early 1990s. Law has not attended Burning Man since 1996. Join the San Francisco native for a lively exploration of Bay Area cultural movements that led to the infamous Cacophony Society Zone Trip #4 to Nevada’s Black Rock Desert on Labor Day weekend 1990.

Jewelry epitomizes the spirit of Burning Man’s gift economy and honors the creative spirit of those who make it.  Join Christine “Ladybee” Kristen for a conversation about her personal collection of jewelry, the makers featured in her collection, and her recent book The Jewelry of Burning Man.

Your world is a façade created by human sensory and social perception. There are millions of other species who are having a much different experience of this world. Jessica Rath considers how the aesthetics of agricultural production and human containment of the landscape effect non-human species. Join Jessica as she premiers her experimental film, Last of the Herd, and discusses artistic process using the objects, photographs, and sketches on exhibit in the Center for Art + Environment. 

Crimson Rose joins Maria Partridge to tell the story of public art and civic activity in Black Rock City and beyond. Interactive Community Collaboration is the context for creativity that blurs the distinction between audience and art form. People are transformed from spectator to participant and are given permission to become active contributors to the creative process.

Will Roger Peterson discovered Burning Man in 1994 and founded the Black Rock City Department of Public Works — a team of several hundred people responsible for pre-event and post-event construction logistics and production. Join Will as he shares stories about the creation, civic design, and future of Black Rock City.

Deon Reynolds is a photographer based in Eureka, Nevada, whose curiosity allows him to find quirky and unusual aspects in the wide-open spaces of the West.  His work, archived in the Center for Art + Environment, reveals the intricate engineering behind wind turbines while capturing the character of the land where they stand.  Join Deon as he discusses how his photography makes these sometimes harsh landscapes approachable and even humorous, and explores how renewable energy has become part of our landscape.