Center for Land Use Interpretation: Wendover Residencies
CAE1041
Summary Note
This archive contains materials relating to Center for Land Use Interpretation’s (CLUI) Wendover Residency Program, which was created in 1997 and ended after the 2015 residency, to support the development of new interpretive methodologies and ideas.Biographical Note
Matthew Coolidge is the founder and director of The Center for Land Use Interpretation (CLUI), has been a John Simon Guggenheim Memorial Fellow and a media art fellow of the Tribeca Film Institute and a Lucelia Artist. Coolidge, an American born in Montreal, is the son of a medieval history professor and the brother of the Los Angeles-based photographer Miles Coolidge. Matthew moved to Boston when he was 14 and later earned a B.A. in environmental studies and informal minors in contemporary art and film from Boston University in 1991. He moved to California in 1992 and built models for students at the California Institute for the Arts before co-founding Center for Land Use Interpretation (CLUI) with a group of friends.
CLUI is a non-profit art/research organization that employs a multimedia and multidisciplinary approach to increase and diffuse knowledge about how the nation’s lands are apportioned, utilized and perceived. He serves as a project director, photographer and curator for CLUI exhibitions, and has written several books published by the CLUI, including Back to the Bay: An Examination of the Shoreline of the San Francisco Bay Region (2001), and The Nevada Test Site: A Guide to America’s Nuclear Proving Ground (1996). He lectures widely in the United States and Europe on contemporary landscape matters, and is a faculty member in the Curatorial Practice Program at the California College of the Arts, where he teaches a class about “nowhere”. Coolidge received a John Simon Guggenheim Memorial Fellowship in 2004.
Scope and Content
The Center for Land Use Interpretation is dedicated to the increase and diffusion of information about how the nation’s lands are apportioned, utilized, and perceived. It is a research and education organization interested in understanding the nature and extent of human interaction with the earth’s surface, and in finding new meanings in the intentional and incidental forms that we individually and collectively create. We believe that the manmade landscape is a cultural inscription that can be read to better understand who we are, and what we are doing.
The organization was founded in 1994, and since that time it has produced dozens of exhibits on land use themes and regions, for public institutions all over the United States, as well as overseas. The Center publishes books, conducts public tours, and offers information and research resources through its library, archive, and web site.
The CLUI exists to stimulate discussion, thought, and general interest in the contemporary landscape. Neither an environmental group nor an industry affiliated organization, the work of the Center integrates the many approaches to land use - the many perspectives of the landscape - into a single vision that illustrates the common ground in “land use” debates. At the very least, the Center attempts to emphasize the multiplicity of points of view regarding the utilization of terrestrial and geographic resources.
The Center’s Wendover residency program was begun in 1997 with the leasing of surplus buildings at the former U. S. Army Wendover Airfield, which during WW II was the largest military base in the world. The Center operates a residence program there to support the development of new interpretive methodologies and ideas. The program is open to artists, researchers, theorists, or anyone who works with land and land use issues in an innovative and engaging manner. Residents primarily work out of the CLUI facilities at Wendover, Utah, and explore and interpret the landscape of that unique and inspiring geographic region, which includes the Great Salt Lake and its desert and salt-flat environs.
Arrangement
- Series 1: Wendover Residency Logbooks
- Series 2: 1998
- Series 3: 1999
- Series 4: 2000
- Series 5: 2001
- Series 6: 2002
- Series 7: 2003
- Series 8: 2004
- Series 9: 2005
- Series 10: 2006
- Series 11: 2007
- Series 12: 2008
- Series 13: 2009
- Series 14: 2010
- Series 15: 2011
- Series 16: 2012
Inclusive Dates
Bulk Dates
Quantity / Extent
Language
Related Archive Collections
Related Publications
Center for Land Use Interpretation, Overlook: Exploring the Internal Fringes of America with the Center for Land Use Interpretation, Matthew Coolidge and Sarah Simons, eds. New York, NY: Metropolis Books, 2006.
Fox, William L. Playa Works: The Myth of the Empty. Reno, NV: University of Nevada Press, 2002.
Fox, William L. Aereality: On the World from Above. Berkeley, CA: Counterpoint, 2009.
Hood, Charles. A Salad Only the Devil Would Eat. Berkely, CA: HeyDay, 2021.
Klett, Mark, and William L. Fox: The Half-Life of History. Santa Fe, NM: Radius Books, 2011..
MA Program in Curatorial Practice, California College of the Arts. Wendover. Leigh Markopoulos, ed. San Francisco, CA: California College of the Arts, 2010.
Pancin, Jean-Michel, Paul Ardenne, and Christophe Le Gac. Wendover, no(s) limit(e)s. Blou, France: Monografik Editions, 2008.
Container Listing by Series:
CAE1041/1 Series 1: Program Information, 1997 - 2008
ARCH-FILE 9-1
- 1-1 Program Information and Logbooks (1 of 2), 1997-2000
CAE1041/2 Series 2: 1998, 1995-2003
ARCH-FILE 9-1
- 2-1 Coyne, Kelly, 1998
- 2-2 Harbison, James, 1997-2000
- 2-3 Könitz, Alice, 1997-2008
- 2-4 Kunkel, Jeremy, 1997-2010
- 2-5 Odem, Jennifer, 1997-1998
- 2-6 Reed, John, 1997-1999
- 2-7 Steensma, Jennifer, 1997-2003
Additional Materials
Archive S-Box 25
- 2-1#1 Tragic Trajectories (1), Photograph, 1998
- 2-3#4 Untitled, Eternally Sun-Baked Installation (1), Photograph, 1998
- 2-3#5 Untitled, Eternally Sun-Baked Installation (2), Photograph, 1998
- 2-4#7 Untitled, Camera Obscura, Photograph, 1998
CAE1041/3 Series 3: 1999, 1998-2010
ARCH-FILE 9-1
- 3-1 Bluhm, Erik R., and Mark Sundeen, (Great God Pan), 1996-2000
- 3-2 Hood, Charles, 1993-2010
- 3-3 Irving, Sara, 1998-2001
- 3-4 Nohe, Tim, 1998-2010
- 3-5 Ruwedel, Mark, 1991-2010
- 3-6 SIMPARCH (1 of 2), 1999-2010
- 3-7 SIMPARCH (2 of 2), 1999-2010
Additional Materials
ARCH-OBJ 13
- 3-7#1 SIMPARCH Journal (1 of 3), 1999
- 3-7#3 SIMPARCH Journal (3 of 3), 1999
ARCH-OBJ 64
- 3-2#1 Charles Hood Journal, 1999
- 3-7#2 SIMPARCH Journal (2 of 3), 1999
Archive S-Box 25
- 3-2#5 Wend Over CLUI Hood, Photograph, 1999
CAE1041/4 Series 4: 2000, 1975-2010
ARCH-FILE 9-1
- 4-1 Erikson, Christa, 2001
- 4-2 Hooper, Cynthia, Earling Sjovold, and Jerry Smith, 1999-2010
- 4-3 Lead Pencil Studio, (Mihalyo Daniel, Annie Han), 1999-2010
- 4-4 Menzies, Richard, 1999-2010
- 4-5 Mohné, Achim, 2000-2010
- 4-6 Stroup, Derek, 1999-2010
Additional Materials
Archive S-Box 25
- 4-3#1 Untitled, Photograph, 2000 (12” x 11”)
- 4-4#1 Blue Lake, Photograph, 2000
CAE1041/5 Series 5: 2001, 1993-2010
ARCH-FILE 9-1
- 5-1 Barrar, Wayne, 2000-2010
- 5-2 Kane, Ted, 2001-2010
- 5-3 Smallwood, Scott, 2001-2010
- 5-4 Stratman, Deborah, 1999-2010
- 5-5 Trantel, Piet, 1993-2001
CAE1041/6 Series 6: 2002, 2001-2007
ARCH-FILE 9-1
- 6-1 McConnell, Liza, 2002-2007
- 6-2 Sowls, Jessica, 2001-2006
CAE1041/7 Series 7: 2003, 1998-2010
ARCH-FILE 9-1
- 7-1 Arpad, Tori,, 2003
- 7-2 Brown, Bill, 2002-2003
- 7-3 Flagen, Are, 2002-2004
- 7-4 Harris, Catherine, 2002-2003
- 7-5 Lucas, Martin, 1998-2010
Additional Materials
ARCH-OBJ 13
- 7-2#4 Railbike: Outrigger (please don't bust), 2003 CAE Box 57
Archive S-Box 25
- 7-6#1 Municipal Workshop CLUI Rover Project 1, 2003
- 7-6#2 Municipal Workshop CLUI Rover Project 2, 2003
- 7-6#3 Municipal Workshop CLUI Rover Project 3, 2003
- 7-6#4 Municipal Workshop CLUI Rover Project 4, 2003
- 7-6#5 Municipal Workshop CLUI Rover Project 5, 2003
- 7-6#6 Municipal Workshop CLUI Rover Project 6, 2003
- 7-6#7 Municipal Workshop CLUI Rover Project 7, 2003
CAE1041/8 Series 8: 2004, 2003-2010
ARCH-FILE 9-2
- 8-1 Hogan, John Brinton, 2004-2010
- 8-2 eteam (Franziska Lamprecht, and Hajoe Moderegger), 2004-2010
- 8-3 Poole, Paula, and Bret Stabaum, 2004-2010
- 8-4 Sambunaris, Victoria, 2003-2010
- 8-5 Stayner, Christian, 2004
- 8-6 Ward, Cathy, and Eric Wright, 2004-2010
CAE1041/9 Series 9: 2005, 2003-2010
ARCH-FILE 9-2
- 9-1 Behr, Bernd, 2005-2010
- 9-2 Kurland, Zelig, 2004-2005
- 9-3 Klett, Mark, and Bill Fox, 2001-2005
- 9-4 Pancin, Jean-Michel, and Etienne Bernard, 2004-2008
- 9-5 Raven, Lucy, 2005-2009
- 9-6 Saxton, Richard, (Municipal Workshop), 2003-2007
- 9-7 Schink, Hans-Christian, 2004-2005
- 9-8 Scrupe, Mara Adamitz, 2004-2010
Additional Materials
ARCH-OBJ 64
- 9-3#1 WENDOVER, NO(S) LIMIT(E)S, by Jean-Michel Pancin, 2008 CAE Box 250
CAE1041/10 Series 10: 2006, 2001-2011
ARCH-FILE 9-2
- 10-1 Arndt, John (1 of 5), 2005-2010
- 10-2 Arndt, John (2 of 5), 2005-2010
- 10-3 Arndt, John (3 of 5), 2005-2010
- 10-4 Arndt, John (4 of 5), 2005-2010
- 10-5 Arndt, John (5 of 5), 2005-2010
- 10-6 Bash, Katherine, 2005-2007
- 10-7 Blatt, Lisa, 2007-2011
- 10-8 Conley, Brian, 2006-2010
- 10-9 Hill, Nicole Jean, 2005-2011
- 10-10 Hogue, Martin, 2005-2011
- 10-11 Koenig, Stephanie, and David Clayton, 2006-2007
- 10-12 Kogelsberger, Uta, 2006-2010
- 10-13 Tuazon, Oscar, 2006-2010
Additional Materials
ARCH-OBJ 1
- 10-1#6 Found Spent Ammunition, Not dated
- 10-1#7 Found Spent Ammunition, Not dated
Archive F5 Oversized items
- 10-7#1 CAD gallery layout, 2008
CAE1041/11 Series 11: 2007, 2005-2011
ARCH-FILE 9-2
- 11-1 Colburn, Lewis, 2007-2010
- 11-2 Doherty, Robin, 2006-2008
- 11-3 Dunn, Jess, 2006-2007
- 11-4 Govedare, Philip, 2006-2008
- 11-5 Gump, Owen, 2006-2010
- 11-6 Hummel, Carol, 2006-2008
- 11-7 Laslberger, Rita, and Günter Stöger, 2006-2010
- 11-8 Lion, Jenny, 2006-2007
- 11-9 Lamouroux, Vincent, 2006-2007
- 11-10 McCormick, Matt, 2006-2011
- 11-11 Posehn, Kristin, 2006-2010
- 11-12 Shepard, Cassim, 2005-2007
Additional Materials
Archive F5 Oversized items
- 11-1#25 CAD documentation of guardhouse in Wendover, 2010
CAE1041/12 Series 12: 2008, 2006-2011
ARCH-FILE 9-2
- 12-1 Cowles, Sarah, 2007-2010
- 12-2 Lacy, Steve, 2007-2008
- 12-3 Nowhere Group, 2007-2009
- 12-4 Olsen, Erica, 2007-2012
- 12-5 Sternbach, Joni, 2006-2011
- 12-6 White, Neal, 2007-2011
Additional Materials
ARCH-OBJ 71
- 12-3#2 Shot Full of Holes
Archive S-Box 26
- 12-3#6e Shot Full of Holes, Sculpture, 2008
CAE1041/13 Series 13: 2009, 2006-2013
ARCH-FILE 9-2
- 13-1 Estep, Jan, 2007-2013
- 13-2 Hofer, Jen, 2008-2011
- 13-3 Miller, Dominic, 2008-2010
- 13-4 Osborne, Erika, 2008-2010
- 13-5 Ray, Rob, 2008-2010
- 13-6 Strand, Ginger, 2008-2010
- 13-7 Visitors and Miscellaneous Notes, 2009
CAE1041/14 Series 14: 2010, 2002-2015
ARCH-FILE 9-2
- 14-1 Interviews, 2010-2011
- 14-2 Castringius, Eva, 2002-2011
- 14-3 Dusseault, Ruth, 2007-2010
- 14-4 Fehr, Moritz and Maria Muhle, 2010-2013
- 14-5 Hopkins, John, 2009-2012
ARCH-FILE 9-3
- 14-6 Kavanagh, Mary, 2009-2011
- 14-7 Keddell, William, 2009-2012
- 14-8 Lamson, William, 2010-2015
- 14-9 Loudenberg, Kelly, 2008-2010
- 14-10 Rekow, Lea, 2010
- 14-11 Rosa, Brian and Adam Ryder, 2010-2022
- 14-12 Sagan, Miriam, 2010-2012
- 14-13 Underwood, Barry, 2010-2013
Additional Materials
ARCH-OBJ 51 Object
- 14-7#1 Bonneville Flats, Stereoscope, 2010 CAE Box 166
Archive F19 Oversized Items
- 14-8#25 Hydrology, 2015
CAE1041/15 Series 15: 2011, 2010-2013
ARCH-FILE 9-3
- 15-1 Jones, David, Patrick Kikut, and Shelby Shadwell, 2003-2012
- 15-2 McCaw, Shana and Brent Budsberg, 2007-2012
- 15-3 Lindahl, Mikael, 2011-2012
- 15-4 Osborne, Mike, 2010-2013
- 15-5 Robertson, Ross, 2010-2011
- 15-6 Torop, Dan (1 of 3), 2010-2013
Additional Materials
ARCH-OBJ 1
- 15-1#40 Project Matchboxes (Patrick Kikut), 2011
ARCH-OBJ 3 Objects
- 15-1#1 Box of Matchboxes (Patrick Kikut), 2011 CAE Box 26
ARCH-OBJ 28
- 15-1#3 Survival Box (Patrick Kikut), 2011
ARCH-OBJ 71
- 15-1#2 Great Basin Gold Mines Field Work (Patrick Kikut), 2012 CAE Box 264
CAE1041/16 Series 16: 2012, 2011-2013
ARCH-FILE 9-3
- 16-1 Jennings, Tom, 2012
- 16-2 Livingstone, Lucy, 2012-2014
- 16-3 Neander, Anna, 2011-2012
- 16-4 Stevens, LeRoy, 2012-2013
- 16-5 Shafer, Kathleen, 2011-2013
- 16-6 Stocklosa, Max, 2011-2013
CAE1041/17 Series 17: 2013, 2011-2013
Additional Materials
Archive F4
- 17-2#1 GTA 1-414-21 Sheltering Instructions for all Personnel, Printed Metal Sign, 2013 (24” x 36”)
Archive Stand-Alone Box
- 17-2#2 Bug Out location Tactical Shelter: R02D Bolts No. 1.414, Fabricated Shelter in Metal Box, 2013 (24 1/8”h x 17 ½”w x 9 1/8”d)
CAE1041/18 Series 18: 2014, 2011-2013
Additional Materials
Archive F3 Oversized Items
- 18-1#16a 25a Mirage Viewing Station Panel 1a, Photograph, 2014
- 18-1#16b 25b Mirage Viewing Station Panel 1b, Photograph, 2014
- 18-1#16c 25c Mirage Viewing Station Panel 1c, Photograph, 2014
- 18-1#17a 26a Mirage Viewing Station Panel 2a, Photograph, 2014
- 18-1#17b 26b Mirage Viewing Station Panel 2b, Photograph, 2014
- 18-1#17c 26c Mirage Viewing Station Panel 2c, Photograph, 2014
- 18-1#18a 27a Mirage Viewing Station Panel 3a, Photograph, 2014
- 18-1#18b 27b Mirage Viewing Station Panel 3b, Photograph, 2014
- 18-1#18c 27c Mirage Viewing Station Panel 3c, Photograph, 2014
- 18-1#19a 28a Mirage Viewing Station Panel 4a, Photograph, 2014
- 18-1#19b 28b Mirage Viewing Station Panel 4b, Photograph, 2014
- 18-1#19c 28c Mirage Viewing Station Panel 4c, Photograph, 2014
- 18-1#20a 29a Mirage Viewing Station Panel 5a, Photograph, 2014
- 18-1#20b 29b Mirage Viewing Station Panel 5b, Photograph, 2014
- 18-1#20c 29c Mirage Viewing Station Panel 5c, Photograph, 2014
- 18-1#21a 30a Mirage Viewing Station Panel 6a, Photograph, 2014
- 18-1#21b 30b Mirage Viewing Station Panel 6b, Photograph, 2014
- 18-1#21c 30c Mirage Viewing Station Panel 6c, Photograph, 2014
Archive S-Box 25
- 18-1#1 13 Mirage Viewing Station 1, 2014 (9” x 13”)
- 18-1#2 14 Mirage Viewing Station 2, 2014 (9” x 13”)
- 18-1#3 15 Mirage Viewing Station 3, 2014 (9” x 13”)
- 18-1#4 16 Mirage Viewing Station 4, 2014 (9” x 13”)
- 18-1#5 17 Mirage Viewing Station 5, 2014 (9” x 13”)
- 18-1#6 18 Mirage Viewing Station 6, 2014 (9” x 13”)
- 18-1#7 19 Mirage Viewing Station 7, 2014 (9” x 13”)
- 18-1#8 20 Mirage Viewing Station 8, 2014 (9” x 13”)
- 18-1#9 21 Mirage Viewing Station 9, 2014 (9” x 13”)
- 18-1#15 10 Mirage Viewing Station 10, 2014 (9” x 13”)
Archive S-Box 26
- 18-1#10 12 The Mirage Report, Photograph, 2014 (12 ¼” x 18”)
- 18-1#11 11 Mirage Viewing Station Today!, Photograph, 2014 (17 5/8” x 12”)
- 18-1#12 9 Bonneville Salt Flats, Mirage Viewing Station Today!, Photograph, 2014 (13” x 18 ¼”)
- 18-1#13 22 The Country Turning Upside Down, Text Panel, 2015 (11” x 17”)
- 18-1#14 24 Installation Diagram, Document, 2015 (11” x 17”)
CAE1041/19 Series 19: 2015, 2011-2013
Additional Materials
Archive S-Box 26
- 19-2#1 Map of Wendover Air Force Auxiliary Field and Range, Photograph, 2015 (12 7/8” x 16 ¼”)
- 19-2#2 Map of Salton Sea, Photograph, 2015 (12 7/8” x 16 ¼”)