Due to construction, Museum parking may be limited at the time of your visit. Look for additional parking in free or metered spaces along nearby streets.
Back to Collection

Ars contemporaneus alpinus

CAE1609

Summary Note

Ars contemporaneus alpinus (ACA) was a theoretical and applied research project based in the canton of Valais, Switzerland, about the issue of site-specific practices taking the natural environment as a context. Materials include video, photographs, essays, maps, posters, other printed ephemera.

Biographical Note

Benoît Antille (born in Switzerland) graduated from the MA Program in Classical Archeology and Art History at the Fribourg University (Switzerland, 2001) and from the Curatorial Practice MA Program at the California College of the Arts in San Francisco (2011). He is currently president of the MAXXX – Project Space association, researcher for the Ecole cantonale d’art du Valais, and coordinator of the artists-in-residence program at Villa Ruffieux in Sierre. Between 2003 and 2009, he worked as curator and coordinator of the residency program at the Cultural Center Ferme-Asile, in Sion. In 2012, he did the Sandretto Re Rebaudengo residency program for curators, before being contracted by the Culture Department of the Valais to write a report on the situation of contemporary art in this region – Art Pro – in anticipation of their revision of the criteria for public funding.

Scope and Content

Realized between September 2013 and February 2015, ars contemporaneus alpinus (ACA) was a theoretical and applied research project based in the canton of Valais, Switzerland, about the issue of site-specific practices taking the natural environment as a context. ACA addresses the phenomenon of sculpture parks as they are implemented in rural areas, with a focus upon site-specific approaches and curatorial strategy as an artistic practice. The organization of site-specific projects in the natural environment has become a trend in many peripheral regions over the world. Often realized through public funding, these commissioned projects respond to the agenda of local cultural policies, whose primary aim can be to enhance a site with touristic attractiveness. As a consequence of the urbanization phenomenon that characterizes the canton of Valais – located in the heart of the Swiss Alps – an increasing amount of outdoor, site-specific projects have been developed there over the last several years. Local politicians noticed this trend and saw it as the auspicious emergence of a new regional particularism that will hopefully add cultural surplus value to the region. Questions addressed included: Are these projects still able to produce a critical discourse escaping the normative effects of a service economy instrumentalized by local policies? If yes, what kind of projects can be developed in this context? To which strategies should artists employ to avoid instrumentalization? And ultimately, how does site-specific art inform us about the relationship between contemporary society and the countryside, the land or the landscape?

Based on the Valais as a case-study and laboratory, ACA sought to contextualize this phenomenon, and to provide it with a critical reading. ACA relied on field studies in Switzerland, France, England, United States, and Morocco. These trips led to the decision to focus on two cases for a comparative analysis with the Valais: Grizedale Arts, in the Lake District of the UK, and the Centre international d’art et du paysage de Vassivière in France. The analysis addressed links between contemporary art and regional policies, as well as the stakes of the particular activity of art commissioning. The material gathered together during the field study constitutes a film archive of documented art projects and a series of interviews. These trips also introduced the canton of Valais into an international network of artists, curators or researchers— some of whom were invited to take part in a research week in this county. This week concluded with a two-day seminar, held on September 18th and 19th 2014 at the Château Mercier in Sierre.

Four artists – Jérôme Leuba (CH), Frauke Materlik (DE), Ricardo Rivera (US) and Natsuko Uchino (JP) – were invited to realize projects taking as a context the Valais as much as the research project itself. These artists were asked to reflect on the topics addressed by ACA: such as site-specificity, regional policies and the activity of art commissioning. Their projects will be shown in various exhibitions and are available online. ACA is a research project of the École cantonale d’art du Valais (ECAV), financed by HES-SO and the fonds pour les projets régionaux Valaisans. Materials include video, photographs, essays, maps, posters, other printed ephemera.

Arrangement

This archive is organized into three series that follow the chronology of the project.
  • Series 1: Preliminary Research
  • Series 2: Research Week Program
  • Series 3: Program Output

Inclusive Dates

1991-2018

Bulk Dates

2014-2015

Quantity / Extent

1.25 cubic feet

Language

English, French, and German

Related Publications

Antille, Benoit William L. Fox, Jérôme Leuba et al. Traces: Ars Contemporaneous Alpinus. Sion, Valais, Switzerland: Ecole cantonale d’art du Valais, 2015.

Burckhardt, Lucius. Panorma: Docu-Bulletin 7, 1988. Switzerland: Self Published, 1988.

Chenu, Laurent. A Propos de la Transformation de l’Hotel Furkablick par l’Office for Metropolitan Architecture. Geneva, Switzerland: FACES, 1991.

Eidenbenz, Céline. En marche: Faire un Pas, C'est Faire un Choix. Berne Switzerland: Musée d’Art du Valais, 2017.

Furkart. Furkart 1993. Furka Pass, Switzerland: Furkart, 1993.

Furkart. Furkart 1994. Furka Pass, Switzerland: Furkart, 1994.

Grath, Jürgen. Furk'art: Spuren des Ephemeren. München, Bavaria: Herbert Utz, 2012.

Network of the Museums of the Valais. True-False Stories: The Museum as Site of Interpretation. Lausanne, Switzerland: art&fiction.com, 2019.

Suter, Batia. Batia Suter: Hexamiles (Mont-Voisin). Amsterdam: Roma Publications, 2019.

Van Dyck, Hanne. Sugar Falls in Water. Netherlands: Onomatopee, 2018.

Container Listing by Series:

CAE1609/1 Series 1: Preliminary Research, 2001-2015

The first folder in Series 1 contains the initial correspondence from Benoit Antille regarding his vision for the program.

  • ARCH-FILE 62-1

    • 1-1 Initial Correspondence, 2013-2014
    • 1-2 Centre International d’Art & du Paysage, Vasiviere, France, Not dated
    • 1-3 Grizedale Sculpture, Grizedale Forest, UK, Folder 1 of 2, 2001-2013
    • 1-4 Grizedale Sculpture, Grizedale Forest, UK, Folder 2 of 2, 2001-2015
    • 1-5 High Desert Test Sites, Joshua Tree, California, 2003-2013
    • 1-6 Parc de Sculptures al Maaden Marrakech, Morocco, Catalog, 2013
    • 1-7 Various Projects, Switzerland, 2008-2014

Additional Materials

  • Archive F20 Oversized Items

    • 1-7#6 Elevation 1049, Brochure, 2014
    • 1-7#7 LandArt 2013, Brochure, 2013

  • Archive S-Box 26

    • 1-7#8 art & découverte, Brochure, 2013
    • 1-7#9 Elevation 1049, Brochure, 2014

CAE1609/2 Series 2: Research Week Program, 1991-2016

Series 2 contains materials from the seminar portion of the project.

  • ARCH-FILE 62-1

    • 2-1 Program Materials, 2014
    • 2-2 Site Visits: 12 September 2014, 2014
    • 2-3 Site Visits: 13 September 2014, 1991-2014
    • 2-4 Site Visits: 14 September 2014, 2014
    • 2-5 Site Visits: 15 September 2014, 2012-2014
    • 2-6 Presenter: Benoît Antille, 2014-2016
    • 2-7 Presenter: Suzanne Chappaz-Wirther, 2014
    • 2-8 Presenter: William L. Fox, 2014-2015
    • 2-9 Presenter: Adam Sutherland, 2014
    • 2-10 Presenter: Susanne Husky, 2014
    • 2-11 Presenter: Julian Myers-Szupinska, 2014
    • 2-12 Presenter: Michael Jakob, 2014
    • 2-13 Presenter: Pierre-Philippe Hofmann, 2010-2018
    • 2-14 Presenter: Frauke Materlik, 2014
    • 2-15 Presenter: Natsuko Uchino, 2014
    • 2-16 Presenter: Ricardo Rivera, 2014
    • 2-17 Presenter: Jérôme Leuba, 2014

Additional Materials

  • ARCH-OBJ 5

    • 2-2#32a-o Set of Furkablick Postcards, images from 1992 – 1994 (15 Color), 1996
    • 2-2#33a-o Set of Furkablick Postcards, images from 1990 – 1992 (15 Color), 1996
    • 2-2#34a-o Set of Furkablick Postcards, images from 1987 – 1991 (15 Color), not dated
    • 2-2#35a-o Set of Furkablick Postcards, images from 1986 – 1991 (15 B&W), 2004
    • 2-2#36a-o Set of Furkablick Postcards, images from 1986 – 1988 (15 Color), not dated
    • 2-2#37a-n Set of Furkablick Postcards, images from 1983 – 1986 (4 Sepia, 10 Color), not dated

  • Archive S-Box 26

    • 2-2#38 Furkart 1992, Art Map, 1992
    • 2-2#39 Furkart 1993, Art Map, 1993
    • 2-2#40 Furkart Map, 2010
    • 2-2#41 Willkommen auf der Furka, Bienvenue á Furkart 1991, Poster, 1991

CAE1609/3 Series 3: Program Output, 2014-2015

Series 3 contains the material output of the Ars contemporaneus alpinus project including the exhibition, catalog, and film in folders 1-3. Folder 4 includes post event correspondence between attendees and essays by Benoit Antille.

  • ARCH-FILE 62-1

    • 3-1 Ars contemporaneus alpinus Film, 2014-2015
    • 3-2 Ars contemporaneus alpinus Exhibition, 2015
    • 3-3 Ars contemporaneus alpinus Publication, 2015
    • 3-4 Final Ruminations, 2014-2015

Additional Materials

  • Archive S-Box 26

    • 3-2#42 Time, view, and visibility, Newsprint publication, February 2015