Rachelle Reichert: Li-ion
CAE2110
Summary Note
Li-ion is a series of photo-realistic drawings and ceramic sculptures by artist RCHELLE Reichert, that were inspired by three global lithium ponds impacted by technology: in the Salar de Uyuni in Bolivia, Silver Peak, Nevada, and the Mojave Desert.Biographical Note
Rachelle Reichert is a visual artist and art educator based in the San Francisco Bay Area, California (Chochenyo Ohlone territory). She received her BFA from Boston University in 2007 and her MFA from Mills College and 2015. She creates drawings and sculptures to explore social and ecological concerns caused by technology. Rachelle has presented her artwork at the California Climate Change Symposium, the San Francisco State of the Estuary Conference, the American Geophysical Union Meeting and has been granted a Research Ambassadorship from Planet Labs to create anthropocentric climate-related artwork. Her work has been reviewed and published in the San Francisco Chronicle, Make: Magazine, Condé Nast Traveler and New American Paintings and she has completed permanent commissions at the Ritz Mandarin Oriental in Madrid, Spain and Facebook Headquarters in Menlo Park, CA.
Scope and Content
Li-ion is a series of photo-realistic drawings and ceramic sculptures inspired by three global lithium ponds impacted by technology: in the Salar de Uyuni in Bolivia, Silver Peak, Nevada, and the Mojave Desert. Reichert tracked each site with earth imaging satellites, then rendered photo-realistic drawings from these images to make private images publicly accessible. In the act of drawing, she raised questions on current ways of seeing landscape through contemporary mapping technologies. She also dug clay, a natural companion of lithium, at the Nevada site, and molded it over lithium salt rocks to create abstract sculptures.
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Related Archive Collections
Related Publications
Burtynsky, Edward. Anthropocene. Toronto, Ontario: Fredericton, New Brunswick: Art Gallery of Ontario; Goose Lane Editions, 2018.
Maisel, David. Black Maps: American Landscape and the Apocalyptic Sublime. Göttingen, Germany: Steidl, 2013.
Traynor, Michael. Extraction: Art on the Edge of the Abyss. Berkeley, CA: Codex Foundation, 2020.
Container Listing:
ARCH-FILE 94-1
- Folder 1 Research Materials, 2010 – 2019
- Folder 2 Project Output, 2018 – 2019
Additional Materials
- 1#3 Salt Sample, Silver Peak, NV, Sample, June 2018
- 1#4 Dirt, Stones, and Sand, Silver Peak, NV, Sample, June 2018
- 1#5 Glaze Sample #5, Sample, 2019
- 1#6 Glaze Sample #6, Sample, 2019
- 1#7 Glaze/Clay, Silver Peak, NV, Sample, 2019 CAE Box 111